Differences Between The European and North American Releases
The original vinyl release in the United States and Canada (for example on Buddah Records) contained a fourth track, squeezed between "Lemmings" and "Man-Erg", which was the band's arrangement of the BBC Radio 1 opening and closing theme. This instrumental, called "Theme One", was originally composed by George Martin and released on record in 1967. In Europe, where Pawn Hearts only contained the three tracks, "Theme One" was released as a single in February 1972, with the song "W" as its b-side.
Later North American reissues used the European version of the album, without "Theme One". The 2005 remastered CD contains versions of both "W" and "Theme One" that both are different from the North American album and the European single.
Two of the released versions of "Theme One" appear to have the same backing tracks, but feature completely different overdubs and mixes. These can be found on the compilation CD First Generation - 1968-1971 and the remastered Pawn Hearts. There is also a third version (an entirely different studio take) of "Theme One" included on the 2003 various artists compilation CD The Best Prog Rock Album In The World... Ever.
Read more about this topic: Pawn Hearts
Famous quotes containing the words differences between the, differences between, differences, european, north, american and/or releases:
“What strikes many twin researchers now is not how much identical twins are alike, but rather how different they are, given the same genetic makeup....Multiples don’t walk around in lockstep, talking in unison, thinking identical thoughts. The bond for normal twins, whether they are identical or fraternal, is based on how they, as individuals who are keenly aware of the differences between them, learn to relate to one another.”
—Pamela Patrick Novotny (20th century)
“The extent to which a parent is able to see a child’s world through that child’s eyes depends very much on the parent’s ability to appreciate the differences between herself and her child and to respect those differences. Your own children need you to accept them for who they are, not who you would like them to be.”
—Lawrence Balter (20th century)
“No sooner had I glanced at this letter, than I concluded it to be that of which I was in search. To be sure, it was, to all appearance, radically different from the one of which the Prefect had read us so minute a description.... But, then, the radicalness of these differences ... these things ... were strongly corroborative of suspicion.”
—Edgar Allan Poe (1809–1849)
“To the cry of “follow Mormons and prairie dogs and find good land,” Civil War veterans flocked into Nebraska, joining a vast stampede of unemployed workers, tenant farmers, and European immigrants.”
—For the State of Nebraska, U.S. public relief program (1935-1943)
“In England if something goes wrong—say, if one finds a skunk in the garden—he writes to the family solicitor, who proceeds to take the proper measures; whereas in America, you telephone the fire department. Each satisfies a characteristic need; in the English, love of order and legalistic procedure; and here in America, what you like is something vivid, and red, and swift.”
—Alfred North Whitehead (1861–1947)
“One must always be aware, to notice—even though the cost of noticing is to become responsible.”
—Thylias Moss, African American poet. As quoted in the Wall Street Journal (May 12, 1994)
“We need a type of theatre which not only releases the feelings, insights and impulses possible within the particular historical field of human relations in which the action takes place, but employs and encourages those thoughts and feelings which help transform the field itself.”
—Bertolt Brecht (1898–1956)