Early Life and Career
Muni was born to a Jewish family in Lemberg, Galicia, a province of the Austro-Hungarian Empire, now Lviv, Ukraine (formerly Lwów, Poland). His family emigrated to the United States in 1902.
He began his acting career on the Yiddish stage in New York City, where his parents were actors with the Yiddish theatre. As a teenager, he developed an affinity for makeup and often played characters much older. Film historian Robert Osborne notes that his makeup skills were so creative, that for most of his roles, "he transformed his appearance so completely, he was dubbed 'the New Lon Chaney.'" In his first stage role, at the age of 12, he played the role of an eighty-year-old man.
He was quickly recognized by Maurice Schwartz, who signed him up with his Yiddish Art Theater. Edward G. Robinson and Paul Muni were cousins to Charles M. Fritz, who was a notable actor during the Great Depression. In 1921, he married Bella Finkel (February 8, 1898 - October 1, 1971), an actress in the Yiddish theatre. They remained married until Muni's death in 1967.
A 1925 New York Times article singled out his and Sam Kasten's performances at the People's Theater as among the highlights of that year's Yiddish theater season, describing them as second only to Ludwig Satz.
Read more about this topic: Paul Muni
Famous quotes containing the words early, life and/or career:
“If there is a price to pay for the privilege of spending the early years of child rearing in the drivers seat, it is our reluctance, our inability, to tolerate being demoted to the backseat. Spurred by our success in programming our children during the preschool years, we may find it difficult to forgo in later states the level of control that once afforded us so much satisfaction.”
—Melinda M. Marshall (20th century)
“Clever people seem not to feel the natural pleasure of bewilderment, and are always answering questions when the chief relish of a life is to go on asking them.”
—Frank Moore Colby (18651925)
“He was at a starting point which makes many a mans career a fine subject for betting, if there were any gentlemen given to that amusement who could appreciate the complicated probabilities of an arduous purpose, with all the possible thwartings and furtherings of circumstance, all the niceties of inward balance, by which a man swings and makes his point or else is carried headlong.”
—George Eliot [Mary Ann (or Marian)