Media Work
Davies writes and comments on scientific and philosophical issues. He made a documentary series for BBC Radio 3, and two Australian television series, The Big Questions and More Big Questions. His BBC documentary The Cradle of Life featured the subject of his Faraday Prize lecture. He writes regularly for newspapers and magazines worldwide. He has been guest on numerous radio and television programmes including the children podcast programme Ask A Biologist.
An opinion piece published in the New York Times, generated controversy over its exploration of the role of faith in scientific inquiry. Davies argued that the faith scientists have in the immutability of physical laws has origins in Christian theology, and that the claim that science is "free of faith" is "manifestly bogus." The Edge Foundation presented a criticism of Davies' article written by Jerry Coyne, Nathan Myhrvold, Lawrence Krauss, Scott Atran, Sean Carroll, Jeremy Bernstein, PZ Myers, Lee Smolin, John Horgan, Alan Sokal and a response by Davies beginning I was dismayed at how many of my detractors completely misunderstood what I had written. Indeed, their responses bore the hallmarks of a superficial knee-jerk reaction to the sight of the words "science" and "faith" juxtaposed. While atheists Richard Dawkins and Victor J. Stenger have criticised Davies' public stance on science and religion, others including the John Templeton Foundation, have praised his work.
Davies wrote an article in the Wall Street Journal where he described the background to the 2 December 2010 arsenic bacteria press conference and stated that he supported the 'arsenic can replace phosphorus' idea of Felisa Wolfe-Simon because "I had the advantage of being unencumbered by knowledge. I dropped chemistry at the age of 16, and all I knew about arsenic came from Agatha Christie novels."
Read more about this topic: Paul Davies
Famous quotes containing the words media and/or work:
“One can describe a landscape in many different words and sentences, but one would not normally cut up a picture of a landscape and rearrange it in different patterns in order to describe it in different ways. Because a photograph is not composed of discrete units strung out in a linear row of meaningful pieces, we do not understand it by looking at one element after another in a set sequence. The photograph is understood in one act of seeing; it is perceived in a gestalt.”
—Joshua Meyrowitz, U.S. educator, media critic. The Blurring of Public and Private Behaviors, No Sense of Place: The Impact of Electronic Media on Social Behavior, Oxford University Press (1985)
“If work and leisure are soon to be subordinated to this one utopian principleabsolute busynessthen utopia and melancholy will come to coincide: an age without conflict will dawn, perpetually busyand without consciousness.”
—Günther Grass (b. 1927)