Patti LuPone - Theatre

Theatre

In 1972, LuPone became one of the original members of The Acting Company, formed by John Houseman. The Acting Company is a nationally touring repertory theater company. LuPone’s stint with the company lasted from 1972 to 1976, and she appeared in many of their productions, such as The Cradle Will Rock, The School for Scandal, Women Beware Women, The Beggar’s Opera, The Time of Your Life, The Lower Depths, The Hostage, Next Time I’ll Sing to You, Measure for Measure, Scapin, Edward II, The Orchestra, Love’s Labours Lost, Arms and the Man, The Way of the World. She made her Broadway debut in the play The Three Sisters as Irina in 1973. For her work in The Robber Bridegroom (1975) she received her first Tony Award nomination, for Best Featured Actress in a Musical. The Acting Company honored Patti LuPone on March 12, 2012 in an event called "Patti's Turn" at the Kaye Playhouse.

In 1976, producer David Merrick hired LuPone as a replacement to play Genevieve, the title role of the troubled pre-Broadway production of The Baker's Wife. The production toured at length but Merrick deemed it unworthy of Broadway and it closed out of town.

Since 1977, LuPone has been a frequent collaborator with David Mamet, appearing in his plays The Woods, All Men are Whores, The Blue Hour, The Water Engine (1978), Edmond and The Old Neighborhood (1997). The New York Times reviewer wrote of LuPone in The Old Neighborhood "Those who know Ms. LuPone only as a musical comedy star will be stunned by the naturalistic fire she delivers here. As Jolly, a part inspired by Mr. Mamet's real-life sister and his realized female character, Ms. LuPone finds conflicting layers of past and present selves in practically every line. She emerges as both loving matriarch and wounded adolescent, sentimental and devastatingly clear-eyed." In 1978, she appeared in the Broadway musical adaptation of Studs Terkel’s Working, which ran for only 24 performances.

In 1979 LuPone starred in the original Broadway production of Evita, the musical based on the life of Eva Peron, composed by Andrew Lloyd-Webber and Tim Rice, and directed by Harold Prince. Although LuPone was hailed by critics, she has since said that her time in Evita was not an enjoyable one. In a 2007 interview, she stated " 'Evita' was the worst experience of my life," she said. "I was screaming my way through a part that could only have been written by a man who hates women. And I had no support from the producers, who wanted a star performance onstage but treated me as an unknown backstage. It was like Beirut, and I fought like a banshee." Despite the trouble, LuPone won her first Tony Award for Best Actress in a Musical. LuPone and her co-star, Mandy Patinkin, remained close friends both on and off the stage.

In May 1983, founding alumni of The Acting Company reunited for an off-Broadway revival of Marc Blitzstein’s landmark labor musical The Cradle Will Rock at the American Place Theatre. It was narrated by John Houseman, with LuPone in the roles of Moll and Sister Mister. The production premiered at The Acting Company's summer residence at Chautauqua Institution, toured the United States, including an engagement at the Highland Park, Illinois' Ravinia Festival in 1984, and played London's West End.

When the run ended, LuPone remained in London to create the role of Fantine in Cameron Mackintosh’s original London production of Les Misérables, in 1985, which premiered at the Barbican Theatre, home of the Royal Shakespeare Company. LuPone had previously worked for Mackintosh in a short-lived Broadway revival of Oliver! in 1984, playing Nancy opposite Ron Moody as Fagin. For her work in both The Cradle Will Rock and Les Misérables, LuPone received the 1985 Olivier Award for Best Actress in a Musical.

She returned to Broadway in 1987 to star as nightclub singer Reno Sweeney in the Lincoln Center Theater revival of Cole Porter’s Anything Goes. She starred opposite Howard McGillin, and they both received Tony Award nominations for their performances. The Lincoln Center cast reassembled for a one-night-only concert performance of Anything Goes in New York in 2002.

In 1993, LuPone returned to London to create the role of Norma Desmond in the original production of Andrew Lloyd Webber’s Sunset Boulevard at the Adelphi Theatre. There was much anticipation of LuPone appearing in another Lloyd Webber musical, the first since her performance in Evita. Her time in the show was difficult and she was abruptly fired by Lloyd Webber and replaced by Glenn Close who opened the show in Los Angeles and eventually on Broadway.

In November 1995 LuPone starred in her one-woman show, Patti LuPone on Broadway, at the Walter Kerr Theatre. For her work, she received an Outer Critics Circle Award. The following year, she was selected by producer Robert Whitehead to succeed his wife, Zoe Caldwell in the Broadway production of Terrence McNally’s play Master Class, based on the master classes given by operatic diva Maria Callas at Juilliard. LuPone received positive reviews, with Vincent Canby writing "Ms. LuPone really is vulnerable here in a way that wasn't anticipated: she's in the process of creating a role for which she isn't ideally suited, but she's working like a trouper to get it right." She appeared in the play in the West End. In November 2001, she starred in a Broadway revival of Noises Off, with Peter Gallagher and Faith Prince.

LuPone has performed in numerous New York concert productions of musicals including Pal Joey with Peter Gallagher and Bebe Neuwirth, Annie Get Your Gun with Peter Gallagher, Sweeney Todd with George Hearn in both New York and San Francisco, Anything Goes with Howard McGillin, Can-Can with Michael Nouri for City Center Encores!, Candide with Kristin Chenoweth, Passion with Michael Cerveris and Audra McDonald and Gypsy with Boyd Gaines and Laura Benanti for City Center Encores!. Her performances in Sweeney Todd, and Candide were recorded and broadcast for PBSs Great Performances and were released on DVD. The concert staging of Passion was televised as part of Live from Lincoln Center.

Since 2001, LuPone has been a regular performer at the Chicago Ravinia Festival. She starred in a six-year-long series of concert presentations of Stephen Sondheim musicals, which began in honor of his seventieth birthday. Her roles here have included Mrs. Lovett in Sweeney Todd, Fosca in Passion, Cora Hoover Hooper in Anyone Can Whistle, Rose in Gypsy and two different roles in Sunday in the Park with George.

She returned to Broadway in October 2005, to star as Mrs. Lovett in John Doyle’s new Broadway production of Sweeney Todd. In this radically different interpretation of the musical, the ten actors on stage also served as the show’s orchestra, and LuPone played the tuba and the orchestra bells as well as vocally performing the score. For her performance, she received a Tony Award nomination as well as a Golden Icon Award for Best Female Musical Theater Performance. In August 2006, LuPone took a three week leave from Sweeney in order to play Rose in Lonny Price's production of Gypsy at Ravinia. Sweeney Todd closed in September 2006.

Following the Ravinia Festival production of Gypsy, LuPone and author Arthur Laurents mended a decade-long rift and she was cast in the City Center Encores! Summer Stars production of the show. Laurents directed LuPone in Gypsy for a 22 performance run (July 9, 2007 – July 29, 2007) at City Center. This production of Gypsy then transferred to Broadway, opening March 27, 2008 at the St. James Theatre. LuPone won the Outer Critics Circle Award, Drama League Award, Drama Desk Award, and Tony Award for her performance in Gypsy. It closed on January 11, 2009.

In August 2010, LuPone appeared in a three-day run of Irving Berlin’s Annie Get Your Gun, in which she played the title role opposite Patrick Cassidy, at the Ravinia Festival, directed by Lonny Price.

In 2010, LuPone created the role of Lucia in the original Broadway production of Women on the Verge of a Nervous Breakdown, which opened at the Belasco Theatre on November 4, 2010, and closed on January 2, 2011, after 23 previews and 69 regular performances. LuPone was nominated for a Tony Award, Drama Desk Award, and an Outer Critics Circle Award for her performance (but did not win).

In 2011, LuPone played the role of Joanne in a four-night limited engagement concert production of Stephen Sondheim's 1970 musical Company at the New York Philharmonic, conducted by Sondheim expert Paul Gemignani. The production starred Neil Patrick Harris as Bobby. Harris had previously worked with LuPone in the 2000 and 2001 concert productions of Sweeney Todd. The cast of Company performed the song "Side by Side by Side" at the 65th Tony Awards on June 12, 2011.

LuPone made her New York City Ballet debut in May 2011 in a production of The Seven Deadly Sins, directed and choreographed by Lynne Taylor-Corbett. A piece she had previously performed, LuPone sang the role of Anna in the Kurt Weill and Bertolt Brecht score.

LuPone recently concluded a 63-performance Broadway engagement of her concert with former Evita co-star Mandy Patinkin, entitled An Evening with Patti Lupone and Mandy Patinkin. The run started on November 21, 2011 at the Ethel Barrymore Theatre, and ended on January 13, 2012.

In fall of 2012 LuPone is said to appear in David Mamet's new play The Anarchist