German History
In the year 1023 the German poet Ruodlieb referred to a couple dance with a basic motif of a boy wooing a girl, and the girl repulsing his advances. Men and women dancing as couples, both holding one hand of their partner, and "embracing" each other, can be seen in illustrations from 15th century Germany.
At the end of the 13th century, and during the 14th century, nobles and wealthy patricians danced as couple in procession in a slow dignified manner in a circle. Farmers and lower classes of society danced turning in a lively, springing fashion. The relatively new burgher middle class combined the dances with the processional as a "fore dance", and the turning as an "after dance".
Danse de Paysans' (Peasant's Dance) by Théodore de Bry (1528-1598) shows a couple with a man lifting his partner off the ground, and the man pulling the woman towards him while holding her closely with both arms. His Danse de Seigneurs et Dames (Dance of the Lords and Ladies) features one Lord with his arms around the waist of his Lady.
Syncopated and "dotted" rhythms gained widespread popularity for dancing in the last two centuries, although usually less complex and more regular than previous music.
An old couple dance which can be found all over Northern Europe is known as "Manchester" or "Lott is Dead". In Bavaria words to the music include "One, two, three and one is four, Dianderl lifts up her skirt And shows me her knees", and in Bavaria one verse invites the girl to leave her bedroom window open to allow a visit from her partner.
Dance partners stay together for the duration of the dance and, most often, dance independently of other couples dancing at the same time, if any.
Although this kind of dancing can be seen, for instance, in ballet, this term is usually applied to various forms of social dance, ballroom dance, folk dance, and similar forms.
Read more about this topic: Partner Dance
Famous quotes containing the words german and/or history:
“She had exactly the German way: whatever was in her mind to be delivered, whether a mere remark, or a sermon, or a cyclopedia, or the history of a war, she would get it into a single sentence or die. Whenever the literary German dives into a sentence, that is the last you are going to see of him till he emerges on the other side of the Atlantic with his verb in his mouth.”
—Mark Twain [Samuel Langhorne Clemens] (1835–1910)
“Regarding History as the slaughter-bench at which the happiness of peoples, the wisdom of States, and the virtue of individuals have been victimized—the question involuntarily arises—to what principle, to what final aim these enormous sacrifices have been offered.”
—Georg Wilhelm Friedrich Hegel (1770–1831)