Interpretation and Criticism
The writer and critic Samuel Johnson wrote that Paradise Lost shows off " peculiar power to astonish" and that " seems to have been well acquainted with his own genius, and to know what it was that Nature had bestowed upon him more bountifully than upon others: the power of displaying the vast, illuminating the splendid, enforcing the awful, darkening the gloomy, and aggravating the dreadful."
The editors of the Norton Anthology of English Literature write, "Paradise Lost is ultimately about the human condition, the Fall that caused 'all our woe,' and the promise and means of restoration. It is also about knowing and choosing, about free will." In addition to these philosophical concerns, they also note, "The great themes of Paradise Lost are intimately linked to the political questions at stake in the English Revolution (1640–1660) and Restoration, but the connection is by no means simple or straightforward."
Regarding the war in the poem between Heaven and Hell, the Milton scholar John Leonard writes:
Paradise Lost is, among other things, a poem about civil war. Satan raises 'impious war in Heav'n' (i 43) by leading a third of the angels in revolt against God. The term 'impious war'. . .implies that civil war is impious. But Milton applauded the English people for having the courage to depose and execute King Charles I. In his poem, however, he takes the side of 'Heav'n's awful Monarch' (iv 960). Critics have long wrestled with the question of why an antimonarchist and defender of regicide should have chosen a subject that obliged him to defend monarchical authority
Leonard notes that some critics, like the noted Christian writer C.S. Lewis, argued that there was no contradiction at all since, from Lewis' point of view, "Milton believed that God was his 'natural superior' and that Charles Stuart was not." Others, like the literary critic William Empson argued that "Milton deserves credit for making God wicked, since the God of Christianity is 'a wicked God.'" Leonard places Empson's interpretation "in the tradition of Blake and Shelley." As the poet William Blake famously wrote, "The reason Milton wrote in fetters when he wrote of Angels & God, and at liberty when of Devils & Hell, is because he was a true Poet and of the Devil's party without knowing it." And this quote succinctly represents the way in which the 18th and 19th century English Romantic poets viewed Milton. However, Empson's view is more complex. Leonard points out that "Empson never denies that Satan's plan is wicked. What he does deny is that God is innocent of its wickedness: 'Milton steadily drives home that the inmost counsel of God was the Fortunate Fall of man; however wicked Satan's plan may be, it is God's plan too .'"
Although Leonard calls Empson's view "a powerful argument," he notes that this interpretation was challenged by Dennis Danielson in his book Milton's Good God (1982). ?
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Famous quotes containing the words interpretation and and/or criticism:
“The syntactic component of a grammar must specify, for each sentence, a deep structure that determines its semantic interpretation and a surface structure that determines its phonetic interpretation.”
—Noam Chomsky (b. 1928)
“The critic lives at second hand. He writes about. The poem, the novel, or the play must be given to him; criticism exists by the grace of other men’s genius. By virtue of style, criticism can itself become literature. But usually this occurs only when the writer is acting as critic of his own work or as outrider to his own poetics, when the criticism of Coleridge is work in progress or that of T.S. Eliot propaganda.”
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