Works
Pope-Hennessy is far more conservative than the Italian authors: he attributes some of the works below to a "Prato Master" and a "Karlsruhe Master". Most of the dates in the list (taken from Borsi and Borsi) are derived from stylistic comparison rather than from documentation.
- Annunciation (c. 1420–1425) -
- Creation and Fall (c.1424–1425) -
- Adoration of the Magi (c. 1431–1432) -
- St George and the Dragon (c. 1431) -
- Quarate Predella (c. 1433) -
- Frescoes in the Capella dell' Assunta (c. 1434–1435) -
- Nun-Saint with Two Children (c.1434–1435) -
- Funerary Monument to Sir John Hawkwood (c. 1436) -
- The Battle of San Romano, consisting of:
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- Battle of San Romano: Niccolò da Tolentino (c. 1450–1456) -
- Battle of San Romano: Bernadino della Ciarda unhorsed (c. 1450–1456) -
- Battle of San Romano: Micheletto da Cotignola (c.1450) -
- St George and the Dragon (c. 1439–1440) -
- Clock Face with Four Prophets/Evangelists (1443) -
- Resurrection (1443–1444) -
- Nativity (1443–1444) -
- Story of Noah (c. 1447) -
- Scenes of Monastic Life (c. 1447–1454) -
- Saint George and the Dragon (c. 1450-55) -
- Crucifixion (c. 1457–1458) -
- Life of the Holy Fathers (c. 1460–1465) -
- Miracle of the Profaned Host (1467–1468) -
- The Hunt in the Forest (c. 1470) -
Read more about this topic: Paolo Uccello
Famous quotes containing the word works:
“They commonly celebrate those beaches only which have a hotel on them, not those which have a humane house alone. But I wished to see that seashore where man’s works are wrecks; to put up at the true Atlantic House, where the ocean is land-lord as well as sea-lord, and comes ashore without a wharf for the landing; where the crumbling land is the only invalid, or at best is but dry land, and that is all you can say of it.”
—Henry David Thoreau (1817–1862)
“My first childish doubt as to whether God could really be a good Protestant was suggested by my observation of the deplorable fact that the best voices available for combination with my mother’s in the works of the great composers had been unaccountably vouchsafed to Roman Catholics.”
—George Bernard Shaw (1856–1950)
“The slightest living thing answers a deeper need than all the works of man because it is transitory. It has an evanescence of life, or growth, or change: it passes, as we do, from one stage to the another, from darkness to darkness, into a distance where we, too, vanish out of sight. A work of art is static; and its value and its weakness lie in being so: but the tuft of grass and the clouds above it belong to our own travelling brotherhood.”
—Freya Stark (b. 1893–1993)