Form
There are two major styles used in newspaper comics, single panels and strips. Single panels usually, but not always, are not broken up and lack continuity. The popular Dennis the Menace and The Family circus are both single panels. Strips on the other hand are generally longer and shaped into a rectangle. Strips include Peanuts and Garfield. J. R. Williams' long-run Out Our Way continued as a daily panel even after it expanded into a Sunday strip, Out Our Way with the Willets. Jimmy Hatlo's They'll Do It Every Time was often displayed in a two-panel format with the first panel showing some deceptive, pretentious, unwitting or scheming human behavior and the second panel revealing the truth of the situation.
Early daily strips were large, often running the entire width of the newspaper, and were sometimes three or more inches high. Initially, a newspaper page included only a single daily strip, usually either at the top or the bottom of the page. By the 1920s, many newspapers had a comics page on which many strips were collected together. Over decades, the size of daily strips became smaller and smaller, until by the year 2000, four standard daily strips could fit in an area once occupied by a single daily strip.
NEA Syndicate experimented briefly with a two-tier daily strip, Star Hawks, but after a few years, Star Hawks dropped down to a single tier.
In Flanders, the two-tier strip is the standard publication style of most daily strips like Spike and Suzy and Nero. They appear Monday through Saturday; until 2003 there were no Sunday papers in Flanders. In the last decades, they have switched from black and white to color.
Read more about this topic: Panel (comics)
Famous quotes containing the word form:
“Architecture ... the adaptation of form to resist force.”
—John Ruskin (1819–1900)
“Freedom of religion, freedom of the press, and freedom of person under the protection of habeas corpus, and trial by juries impartially selected. These principles form the bright constellation which has gone before us, and guided our steps through an age of revolution and reformation.”
—Thomas Jefferson (1743–1826)
“Since the Greeks, Western man has believed that Being, all Being, is intelligible, that there is a reason for everything ... and that the cosmos is, finally, intelligible. The Oriental, on the other hand, has accepted his existence within a universe that would appear to be meaningless, to the rational Western mind, and has lived with this meaninglessness. Hence the artistic form that seems natural to the Oriental is one that is just as formless or formal, as irrational, as life itself.”
—William Barrett (b. 1913)