Style
The Pandanallur style has a reputation for its emphasis on linear geometry in adavu technique and for intensity and understatement in abhinaya.
The Pandanallur style is renowned for its masterpieces in choreography: some of the main gems in its repertoire are the Nine or Ten Tanjore Quartet pada-varnams (Sakiye, Sami Ninne, Mogamana, Danike, Adimogam, Yemanthayanara, Yemaguva, Sami Nee Ramanave, Sarasijanaba) for which Minakshisundaram Pillai composed the choreography: both dramatic choreography which he called simply "hands" as well as the adavu choreography for the swara passages.
Also, part of their heritage are the valuable jatiswarams (in ragams Vasantha, Saveri, Chakravakam, Kalyani, Bairavi), which are miniature masterpieces of elegant abstract adavu choreography.
Read more about this topic: Pandanallur Style
Famous quotes containing the word style:
“To write well, to have style ... is to paint. The master faculty of style is therefore the visual memory. If a writer does not see what he describes—countrysides and figures, movements and gestures—how could he have a style, that is originality?”
—Rémy De Gourmont (1858–1915)
“His style is eminently colloquial, and no wonder it is strange to meet with in a book. It is not literary or classical; it has not the music of poetry, nor the pomp of philosophy, but the rhythms and cadences of conversation endlessly repeated.”
—Henry David Thoreau (1817–1862)
“The style of an author should be the image of his mind, but the choice and command of language is the fruit of exercise.”
—Edward Gibbon (1737–1794)