Writing Style
Chayefsky gained the reputation as a realist for his television scripting. Chayefsky’s plays, broadcast live, adapted themselves well to the small screen format of early television through the utilization of physically restrained stage sets crafted so dialogue took precedence over action. His themes were often a testament to the struggles of the human condition, sagas of ordinary, hard- working people striving to maintain their hard-won middle-class status. His protagonists wrestled with personal problems, such as loneliness, pressure to conform to society’s expectations, and inability to understand or successfully manage their own emotional drives.
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—Gertrude Stein (1874–1946)
“I shall christen this style the Mandarin, since it is beloved by literary pundits, by those who would make the written word as unlike as possible to the spoken one. It is the style of all those writers whose tendency is to make their language convey more than they mean or more than they feel, it is the style of most artists and all humbugs.”
—Cyril Connolly (1903–1974)