Pop Culture References
Ozma is famous for making numerous 1980's pop culture references in their songs, most notably the Back to the Future trilogy. The song "Lorraine" is about George McFly's girlfriend who is Marty McFly's mother. The song "Game Over" contains the lyric "where I go I don't need roads," which is a play off Doc Brown's dialogue at the end of Back to the Future, while "Come Home Andrea" contains the line "girl make one man cry, make another man sing" - referencing the Huey Lewis and the News song "The Power of Love" as featured in the first film. A less obvious reference is in the song "In Search of 1988", which says "Warp me back at 88" - the speed in miles per hour required to travel in time in the films. Most recently, in the song "Motorology 3:39" the lyric "I'm still dreamin' of clock towers and synchronicity" is most likely a reference to the clock tower featured prominently in the film trilogy.
Many songs also feature references to classic video games. The song "In Search of 1988" references Mario and Luigi of the Super Mario games. "Korobeiniki", while a traditional Russian song, is most famous for its use in the 1989 Game Boy version of the puzzle game Tetris. "Maybe in an Alternate Dimension (Flight of the Bootymechanic)" references Link from "The Legend of Zelda". The song "Gameover" features probably the most video game references including the line "so sad, princess isn't here" referring to the line in Super Mario Bros., "Thank you Mario! But our princess is in another castle!"
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Famous quotes containing the words pop culture, pop and/or culture:
“There is no comparing the brutality and cynicism of today’s pop culture with that of forty years ago: from High Noon to Robocop is a long descent.”
—Charles Krauthammer (b. 1950)
“There is no comparing the brutality and cynicism of today’s pop culture with that of forty years ago: from High Noon to Robocop is a long descent.”
—Charles Krauthammer (b. 1950)
“The hard truth is that what may be acceptable in elite culture may not be acceptable in mass culture, that tastes which pose only innocent ethical issues as the property of a minority become corrupting when they become more established. Taste is context, and the context has changed.”
—Susan Sontag (b. 1933)