Style
Oz is primarily narrated by inmate Augustus Hill (Harold Perrineau), former drug dealer, convicted murderer and former drug addict. Now paralyzed from the waist down and wheelchair-bound, he appears in surreal segments and introductions that usually relate to each episode's overall theme. He also sets up scenes, introduces characters and adds epilogues. When necessary — usually when a character is introduced — Hill appears as an omniscient narrator. Used as a literary device of the writers, he narrates details of characters' crimes, their inmate identification numbers and their sentences. Hill appears as a recurring character within the show's story lines until his death at the end of the fifth season; he and other deceased characters share narration duties throughout the final, sixth season.
Hill's narrations break the fourth wall, as Hill addresses the camera (and thus the audience) directly, out of the fictional context of the scene. Hill also appears in scenes where he interacts with other characters in the story (in these, he does not address the camera). Only once did Hill appear to directly address another character with one narration; in the Season 3 episode "Unnatural Disasters," the character Simon Adebisi turns on a computer and sees Hill, dressed as a pharaoh and speaking to him. Adebisi was troubled by this event, but wrote it off as a drug-induced hallucination.
Read more about this topic: Oz (TV series)
Famous quotes containing the word style:
“Each child has his own individual expressions to offer to the world. That expression can take many forms, from artistic interests, a way of thinking, athletic activities, a particular style of dressing, musical talents, different hobbies, etc. Our job is to join our children in discovering who they are.”
—Stephanie Martson (20th century)
“The difference between style and taste is never easy to define, but style tends to be centered on the social, and taste upon the individual. Style then works along axes of similarity to identify group membership, to relate to the social order; taste works within style to differentiate and construct the individual. Style speaks about social factors such as class, age, and other more flexible, less definable social formations; taste talks of the individual inflection of the social.”
—John Fiske (b. 1939)
“I am so tired of taking to others
translating my life for the deaf, the blind,
the “I really want to know what your life is like without giving up any of my privileges
to live it” white women
the “I want to live my white life with Third World women’s style and keep my skin
class privileges” dykes”
—Lorraine Bethel, African American lesbian feminist poet. “What Chou Mean We, White Girl?” Lines 49-54 (1979)