Book Designs and Other Printing Projects
Printing Plans, Elevations, Sections and Details of the Alhambra had been a significant financial strain for Jones, but the publication had gained Jones a huge profile due to its pioneering standards of chromolithography. After, and possibly during, the long gestation period for Alhambra, Jones used his printing press to enter the lucrative market for illustrated and illuminated gift books which were becoming increasingly popular with the Victorian middle class. Jones designed both secular and religious books (collaborating most notably with the publishers Day & Son and Longman & Co.) and developed innovative new binding techniques using materials such as embossed leather, papier-mâché and terracotta - all in an attempt to do justice to the luxurious contents, much of which could trace its aesthetic lineage back to sumptuous medieval illuminated manuscripts and religious bindings. Apart from these books, Jones’s most significant (and most widely-consumed) printing output was through his long-standing relationship with the firm of De La Rue. From the mid-1840s until the end of his life, some 30 years later, Jones designed an astonishing variety of products for De La Rue including playing cards, menus, biscuit-tin wrappers, postage stamps, chessboards, endpapers, scrap albums and diaries.
Read more about this topic: Owen Jones (architect)
Famous quotes containing the words book, designs, printing and/or projects:
“I can’t bear art that you can walk round and admire. A book should be either a bandit or a rebel or a man in the crowd.”
—D.H. (David Herbert)
“It is a mighty error to suppose that none but violent and strong passions, such as love and ambition, are able to vanquish the rest. Even idleness, as feeble and languishing as it is, sometimes reigns over them; it usurps the throne and sits paramount over all the designs and actions of our lives, and imperceptibly wastes and destroys all our passions and all our virtues.”
—François, Duc De La Rochefoucauld (1613–1680)
“The printing press was at first mistaken for an engine of immortality by everybody except Shakespeare.”
—Marshall McLuhan (1911–1980)
“But look what we have built ... low-income projects that become worse centers of delinquency, vandalism and general social hopelessness than the slums they were supposed to replace.... Cultural centers that are unable to support a good bookstore. Civic centers that are avoided by everyone but bums.... Promenades that go from no place to nowhere and have no promenaders. Expressways that eviscerate great cities. This is not the rebuilding of cities. This is the sacking of cities.”
—Jane Jacobs (b. 1916)