Book Designs and Other Printing Projects
Printing Plans, Elevations, Sections and Details of the Alhambra had been a significant financial strain for Jones, but the publication had gained Jones a huge profile due to its pioneering standards of chromolithography. After, and possibly during, the long gestation period for Alhambra, Jones used his printing press to enter the lucrative market for illustrated and illuminated gift books which were becoming increasingly popular with the Victorian middle class. Jones designed both secular and religious books (collaborating most notably with the publishers Day & Son and Longman & Co.) and developed innovative new binding techniques using materials such as embossed leather, papier-mâché and terracotta - all in an attempt to do justice to the luxurious contents, much of which could trace its aesthetic lineage back to sumptuous medieval illuminated manuscripts and religious bindings. Apart from these books, Jones’s most significant (and most widely-consumed) printing output was through his long-standing relationship with the firm of De La Rue. From the mid-1840s until the end of his life, some 30 years later, Jones designed an astonishing variety of products for De La Rue including playing cards, menus, biscuit-tin wrappers, postage stamps, chessboards, endpapers, scrap albums and diaries.
Read more about this topic: Owen Jones (architect)
Famous quotes containing the words book, designs, printing and/or projects:
“Grief with drenched book and candle christens the cherub time....”
—Dylan Thomas (1914–1953)
“I have no scheme about it,—no designs on men at all; and, if I had, my mode would be to tempt them with the fruit, and not with the manure. To what end do I lead a simple life at all, pray? That I may teach others to simplify their lives?—and so all our lives be simplified merely, like an algebraic formula? Or not, rather, that I may make use of the ground I have cleared, to live more worthily and profitably?”
—Henry David Thoreau (1817–1862)
“The printing press was at first mistaken for an engine of immortality by everybody except Shakespeare.”
—Marshall McLuhan (1911–1980)
“One of the things that is most striking about the young generation is that they never talk about their own futures, there are no futures for this generation, not any of them and so naturally they never think of them. It is very striking, they do not live in the present they just live, as well as they can, and they do not plan. It is extraordinary that whole populations have no projects for a future, none at all.”
—Gertrude Stein (1874–1946)