In Popular Culture
- Ostia was featured in the novels I, Claudius and Claudius the God, both written by British novelist Robert Graves. The novels include scenes set at Ostia spanning from the reign of Augustus to the reign of Claudius, including the departure of Agrippa to Syria and Claudius's reconstruction of the harbour. In the 1976 television series, Ostia was frequently mentioned but never actually seen.
- Ostia forms the main setting for "The Roman Mysteries" series of historical novels for children by Caroline Lawrence. The first book is titled "The Thieves of Ostia" and centers on Nubia, Johnathan, Lupus and Flavia.
- Ostia appears briefly towards the end of the Roman Empire section of the 1981 comedy film History of the World, Part I, where the main characters board a galleon (bearing the El Al logo) bound for Judaea. In the film, however, Ostia is only ever referred to as simply "the port".
- Ostia is mentioned several times in the 2005 HBO/BBC historical drama series Rome.
- Ostia is mentioned in the 2000 film Gladiator, when the protagonist Maximus learns that his army is camped at Ostia and awaiting orders.
- One of the wonders buildable in the "Rise and fall of the Roman Empire" mod for Sid Meier's Civilization III is called the "Portus Ostiae"
- Ostia is the name of the Magic World's lost kingdom and the location of the gladiatorial games in the manga series Negima!.
Read more about this topic: Ostia Antica
Famous quotes containing the words popular culture, popular and/or culture:
“Popular culture entered my life as Shirley Temple, who was exactly my age and wrote a letter in the newspapers telling how her mother fixed spinach for her, with lots of butter.... I was impressed by Shirley Temple as a little girl my age who had power: she could write a piece for the newspapers and have it printed in her own handwriting.”
—Adrienne Rich (b. 1929)
“Fifty million Frenchmen cant be wrong.”
—Anonymous. Popular saying.
Dating from World War Iwhen it was used by U.S. soldiersor before, the saying was associated with nightclub hostess Texas Quinan in the 1920s. It was the title of a song recorded by Sophie Tucker in 1927, and of a Cole Porter musical in 1929.
“We belong to an age whose culture is in danger of perishing through the means to culture.”
—Friedrich Nietzsche (18441900)