In Popular Culture
- Ostia was featured in the novels I, Claudius and Claudius the God, both written by British novelist Robert Graves. The novels include scenes set at Ostia spanning from the reign of Augustus to the reign of Claudius, including the departure of Agrippa to Syria and Claudius's reconstruction of the harbour. In the 1976 television series, Ostia was frequently mentioned but never actually seen.
- Ostia forms the main setting for "The Roman Mysteries" series of historical novels for children by Caroline Lawrence. The first book is titled "The Thieves of Ostia" and centers on Nubia, Johnathan, Lupus and Flavia.
- Ostia appears briefly towards the end of the Roman Empire section of the 1981 comedy film History of the World, Part I, where the main characters board a galleon (bearing the El Al logo) bound for Judaea. In the film, however, Ostia is only ever referred to as simply "the port".
- Ostia is mentioned several times in the 2005 HBO/BBC historical drama series Rome.
- Ostia is mentioned in the 2000 film Gladiator, when the protagonist Maximus learns that his army is camped at Ostia and awaiting orders.
- One of the wonders buildable in the "Rise and fall of the Roman Empire" mod for Sid Meier's Civilization III is called the "Portus Ostiae"
- Ostia is the name of the Magic World's lost kingdom and the location of the gladiatorial games in the manga series Negima!.
Read more about this topic: Ostia Antica
Famous quotes containing the words popular and/or culture:
“It is said the city was spared a golden-oak period because its residents, lacking money to buy the popular atrocities of the nineties, necessarily clung to their rosewood and mahogany.”
—Administration in the State of Sout, U.S. public relief program (1935-1943)
“Any historian of the literature of the modern age will take virtually for granted the adversary intention, the actually subversive intention, that characterizes modern writing—he will perceive its clear purpose of detaching the reader from the habits of thought and feeling that the larger culture imposes, of giving him a ground and a vantage point from which to judge and condemn, and perhaps revise, the culture that produces him.”
—Lionel Trilling (1905–1975)