Legacy
Schlemmer's ideas on art were complex and challenging even for the progressive Bauhaus movement. His work, nevertheless, was widely exhibited in both Germany and outside the country. His work was a rejection of pure abstraction, instead retaining a sense of the human, though not in the emotional sense but in view of the physical structure of the human. He represented bodies as architectural forms, reducing the figure to a rhythmic play between convex, concave and flat surfaces. And not just of its form, he was fascinated by every movement the body could make; trying to capture it in his work. As well as leaving a large body of work behind, Schlemmer art theories have also been published. A comprehensive book of his letters and diary entries from 1910 to 1943 is also available
Along with Schlemmer's diary, his private letters to Otto Meyer and Willi Baumeister have given valuable insight on what happened at the Bauhaus; especially his writings of how the staff and students responded to the many changes and developments at the school.
Read more about this topic: Oskar Schlemmer
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“What is popularly called fame is nothing but an empty name and a legacy from paganism.”
—Desiderius Erasmus (c. 14661536)