Orthodontic Headgear - Forms of Headgear Treatment

Forms of Headgear Treatment

Headgear needs to be worn approximately 12-16 hours each day to be effective in correcting the overbite, typically for 1 to 1.5 years depending on the severity of the overbite, how much it is worn and how much a patient is growing.

Orthodontic headgear will usually consist of three major components:

  1. Facebow: first, the facebow (or J-Hooks) is fitted with a metal arch onto headgear tubes attached to the rear upper and lower molars. This facebow then extends out of the mouth and around the face. J-Hooks are different in that they hook into the patients mouth and attach directly to the brace (see photo for example of J-Hooks).
  2. Head cap: the second component is the head cap, which consists of a number of straps fitting around the head. This is attached with elastic bands or springs to the facebow. Additional straps and attachments are used to ensure comfort and safety (see photo).
  3. Attachment: the third and final component – typically consisting of rubber bands, elastics, or springs – joins the facebow or J-Hooks and the head cap together, providing the force to move the teeth backwards.

Soreness of teeth when chewing or when the teeth touch is typical. Teenagers usually feel the soreness to 2 to 3 hours later, but younger patients tend to react sooner, (e.g., 1 to 1 1⁄2 hours). Headgear is one of the most useful appliances available to the orthodontist.

Read more about this topic:  Orthodontic Headgear

Famous quotes containing the words forms of, forms and/or treatment:

    The atmosphere of orthodoxy is always damaging to prose, and above all it is completely ruinous to the novel, the most anarchical of all forms of literature.
    George Orwell (1903–1950)

    I have always thought that one man of tolerable abilities may work great changes, and accomplish great affairs among mankind, if he first forms a good plan, and, cutting off all amusements or other employments that would divert his attention, make the execution of that same plan his sole study and business.
    Benjamin Franklin (1706–1790)

    James’s great gift, of course, was his ability to tell a plot in shimmering detail with such delicacy of treatment and such fine aloofness—that is, reluctance to engage in any direct grappling with what, in the play or story, had actually “taken place”Mthat his listeners often did not, in the end, know what had, to put it in another way, “gone on.”
    James Thurber (1894–1961)