Themes
Throughout Orpheus, Cocteau uses very simple special effects and trick shots to show his characters passing into the world of death and back to life: They do so by stepping through mirrors, or else the film is reversed.
Cocteau adds many elements from the culture of his time. For example, the messengers of the Princess of Death are grim, leather-clad motorcyclists. The underworld is represented by buildings in France which remained in ruins after World War II, and Orpheus's trial in the underworld is presented in the manner of an inquest held by officials of the German occupation attempting to discover members of the French resistance. At the very end of the film, the Princess and Heurtebise are prisoners, brought forward to face the tribunal, ominously elevated on a pedestal above them.
Most notably, the element of the myth in which Orpheus looks back at Eurydice as she is being led out of the underworld, exactly what he was told not to do and which causes him to lose her, is represented by Orpheus happening to glance at Eurydice in the rear-view mirror of a car.
Read more about this topic: Orpheus (film)
Famous quotes containing the word themes:
“I suppose you think that persons who are as old as your father and myself are always thinking about very grave things, but I know that we are meditating the same old themes that we did when we were ten years old, only we go more gravely about it.”
—Henry David Thoreau (1817–1862)
“In economics, we borrowed from the Bourbons; in foreign policy, we drew on themes fashioned by the nomad warriors of the Eurasian steppes. In spiritual matters, we emulated the braying intolerance of our archenemies, the Shi’ite fundamentalists.”
—Barbara Ehrenreich (b. 1941)