Patterns
"With over 300 different colors and patterns to choose from, you’re guaranteed to find an Oriental that will tickle your fancy. Imagine a Siamese wearing a head to toe coat in white, red, cream, ebony, blue, chestnut, lavender, cinnamon or fawn. These are our solids. For a sparkling undercoat, stir in the silver gene (to all but the white), and you have a smoke Oriental. Perhaps, instead, you'd like the color restricted to the tips of the hair. For this, we have the shadeds to whet your appetite. Paint splashes of red and/or cream on any of these coats and you have a parti-color."
Bob Agresta and Joann Kultala, CFA Breed Profile: Oriental- Solid
- Coat color is the uniform across the entire cat. Each hair shaft should be the same color from shaft to tip and be free of banding and tipping.
- Tabby coat pattern
- Tabby patterns include ticked, spotted, mackerel, and classic. Each hair shaft should have a band of color around the middle of the hair shaft.
- Bicolor pattern
- The bicolor pattern is created by the addition of a white spotting gene to any of the other accepted colors/patterns. The cat will have white on its belly, legs,and an inverted V on the face.
- Shaded pattern
- A Shaded cat will have a white undercoat with the tips being colored.
- Smoke pattern
- The hair shaft will have a narrow band of white at the base which can only be seen when the hair is parted.
- Parti-color
- A parti-color is essentially a patches of red/cream. patches may be well defined blotches of color to merled. This color is referred to as Tortoiseshell coat pattern in non-pedigreed cats.
Read more about this topic: Oriental Shorthair
Famous quotes containing the word patterns:
“The ninety percent of human experience that does not fit into established narrative patterns falls into oblivion.”
—Mason Cooley (b. 1927)
“One can describe a landscape in many different words and sentences, but one would not normally cut up a picture of a landscape and rearrange it in different patterns in order to describe it in different ways. Because a photograph is not composed of discrete units strung out in a linear row of meaningful pieces, we do not understand it by looking at one element after another in a set sequence. The photograph is understood in one act of seeing; it is perceived in a gestalt.”
—Joshua Meyrowitz, U.S. educator, media critic. “The Blurring of Public and Private Behaviors,” No Sense of Place: The Impact of Electronic Media on Social Behavior, Oxford University Press (1985)
“Teasing is universal. Anthropologists have found the same fundamental patterns of teasing among New Zealand aborigine children and inner-city kids on the playgrounds of Philadelphia.”
—Lawrence Kutner (20th century)