Orfeo Ed Euridice - Performance History

Performance History

The opera was first performed in Vienna at the Burgtheater on 5 October 1762, for the name-day celebrations of the Emperor Francis I. The production was supervised by the reformist theatre administrator, Count Giacomo Durazzo. Choreography was by Gasparo Angiolini, and set designs were by Giovanni Maria Quaglio, both leading members of their fields. The first Orfeo was the famous castrato Gaetano Guadagni. Orfeo was revived in Vienna during the following year, but then not performed until 1769. For the performances that took place in London in 1770, Guadagni sang the role of Orpheus, but little of the music bore any relation to Gluck's original, with J.C. Bach – "the English Bach" – providing most of the new music. Haydn conducted a performance of the Italian version at Eszterháza in 1776. During the early 19th century, Adolphe Nourrit became particularly well known for his performances of Orpheus at the Paris Opera. In 1854 Franz Liszt conducted the work at Weimar, composing a symphonic poem of his own to replace Gluck's original overture. Typically during the 19th century and for most of the 20th century, the role of Orfeo was sung by a female contralto, and noted interpreters of the role from this time include Clara Butt and Kathleen Ferrier, and the mezzo-sopranos Rita Gorr, Marilyn Horne, Janet Baker and Risë Stevens (at the Metropolitan Opera). Among conductors, Arturo Toscanini was a notable proponent of the opera. His November 1952 radio broadcast of Act II was eventually released on both LP and CD.

Read more about this topic:  Orfeo Ed Euridice

Famous quotes containing the words performance and/or history:

    True balance requires assigning realistic performance expectations to each of our roles. True balance requires us to acknowledge that our performance in some areas is more important than in others. True balance demands that we determine what accomplishments give us honest satisfaction as well as what failures cause us intolerable grief.
    Melinda M. Marshall (20th century)

    Certainly there is not the fight recorded in Concord history, at least, if in the history of America, that will bear a moment’s comparison with this, whether for the numbers engaged in it, or for the patriotism and heroism displayed.
    Henry David Thoreau (1817–1862)