Orchestration
Gluck made a number of changes to the orchestration of Orfeo when adapting it from the original Italian version to the French version of 1774. Cornetts and chalumeaux are replaced by commoner and more modern oboes and clarinets, while the part played by trombones considerably decreases, possibly due to a lack of technical ability on the part of the French trombonists. Cornetts were instruments that were typically used for church music, and chalumeaux were predominant only in chamber music: both cornetts and chalumeaux were unpopular in France in 1774. In many ways the change from chalumeau to oboe corresponds to that from castrato to high tenor. Neither castrato nor chalumeau were to survive.
In both the Italian and French version Orfeo's lyre is represented by the harp, and it was this use of the instrument in 1774 that it is usually thought introduced the harp to French orchestras. Each verse of the strophic "Chiamo il mio ben cosi" is accompanied by different solo instruments. In Vienna these were flute, horns, and English horns, but in 1774 Gluck was required to change this orchestration to that of a single horn and two clarinets, again replacing uncommon instruments with those in far more widespread usage. During the aria "Chiamo il mio ben cosi" and the interspersing recitatives Gluck added another offstage orchestra consisting of strings and chalumeaux, in order to provide an echo effect.
Read more about this topic: Orfeo Ed Euridice