Reception
Roth's long-time professional acquaintance John Updike gave the novel a famously caustic review in The New Yorker. Updike found the book "an orgy of argumentation...this hard-pressed reviewer was reminded not only of Shaw but of Hamlet, which also has too many characters, numerous long speeches, and a vacillating, maddening hero who in the end shows the right stuff." Updike closed with the admonition, "It should be read by anyone who cares about (1) Israel and its repercussions, (2) the development of the postmodern, deconstruction-mInded novel, (3) Philip Roth." In The New York Times Book Review, novelist and poet D.M. Thomas called the novel "an impassioned quarrel...Despite the seriousness of its theme, the book carries the feeling of creative joy. One feels that Roth feels that he's let rip."
The novel appears to have grown in stature since publication. In 2006, when New York Times Book Review editor Sam Tanenhaus mailed a short letter to "a couple of hundred prominent writers, critics, editors," asking that they identify the best work of American fiction published in the preceding quarter-century, several respondents named Operation Shylock. (The eventual winner was Toni Morrison's 1987 Beloved.) Reporting upon Roth's reception of the 2011 Man Booker International Prize, critic Jonathan Derbyshire of the New Statesman wrote, "The judging panel make the inevitable reference in their summing-up to Roth's extraordinary fecundity over the past 15 years or so, at a stage in his life when 'most novelists are in decline'. The most notable fruits of Roth's Indian summer, 1995's 'Sabbath's Theater' and 'American Pastoral', published two years later, are certainly among his most luminous achievements. But two slightly earlier novels stand out for me, both of them hectically metafictional works partly set in Israel: 'The Counterlife' (1986) and 'Operation Shylock.'"
Read more about this topic: Operation Shylock
Famous quotes containing the word reception:
“But in the reception of metaphysical formula, all depends, as regards their actual and ulterior result, on the pre-existent qualities of that soil of human nature into which they fall—the company they find already present there, on their admission into the house of thought.”
—Walter Pater (1839–1894)
“Satire is a sort of glass, wherein beholders do generally discover everybody’s face but their own; which is the chief reason for that kind of reception it meets in the world, and that so very few are offended with it.”
—Jonathan Swift (1667–1745)
“He’s leaving Germany by special request of the Nazi government. First he sends a dispatch about Danzig and how 10,000 German tourists are pouring into the city every day with butterfly nets in their hands and submachine guns in their knapsacks. They warn him right then. What does he do next? Goes to a reception at von Ribbentropf’s and keeps yelling for gefilte fish!”
—Billy Wilder (b. 1906)