Aftermath
With the rapid deterioration of the Chinese front after Japanese launched Operation Ichi-Go in 1944, General Joseph Stilwell saw this as an opportunity to win his political struggle against Chiang Kai-shek and gain full command of all Chinese armed forces. He was able to convince General George Marshall to have President Franklin D. Roosevelt send an ultimatum to Chiang threatening to end all American aid unless Chiang "at once" placed Stilwell "in unrestricted command of all your forces."
An exultant Stilwell immediately delivered this letter to Chiang despite pleas from Patrick Hurley, Roosevelt's special envoy in China, to delay delivering the message and work on a deal that would achieve Stilwell's aim in a manner more acceptable to Chiang. Seeing this act as a move toward the complete subjugation of China, a defiant Chiang gave a formal reply in which he said that Stilwell must be replaced immediately and he would welcome any other qualified U.S. general to fill Stilwell's position. As a result Stilwell was replaced as Chief of Staff to Chiang Kai-Shek and commander of the U.S. Forces, China Theater (USFCT) by Major General Albert Wedemeyer. His other command responsibilities in the China Burma India Theater were divided up and allocated to other officers.
Although Chiang was successful in removing Stilwell, the public relations damage suffered by his Kuomintang regime was irreparable. Right before Stilwell's departure, New York Times drama critic-turned-war correspondent Brooks Atkinson interviewed him in Chungking and wrote: "The decision to relieve General Stilwell represents the political triumph of a moribund, anti-democratic regime that is more concerned with maintaining its political supremacy than in driving the Japanese out of China. The Chinese Communists... have good armies that they are claiming to be fighting guerrilla warfare against the Japanese in North China—actually they are covertly or even overtly building themselves up to fight Generalissimo's government forces... The Generalissimo naturally regards these armies as the chief threat to the country and his supremacy... has seen no need to make sincere attempt to arrange at least a truce with them for the duration of the war... No diplomatic genius could have overcome the Generalissimo's basic unwillingness to risk his armies in battle with the Japanese."
This devastating loss coupled with the negative public opinion in the U.S. that followed caused the U.S. to lose confidence in the Chinese troops' ability to fight the Japanese, and subsequently the China-Burma-India Theatre lost its priority. Instead the U.S. focused all its resources on the Island-hopping offensive in the Pacific.
The Japanese successes in Operation ichi-Go had limited effect on the war. The U.S. could still bomb the Japanese homeland from Saipan and other pacific bases. The Japanese forces could only control the cities but not their surrounding countryside. The increased size of the occupied territory also thinned out the Japanese lines. A great majority of the Chinese forces were able to retreat out of the area, and later come back to attack Japanese positions. As a result future Japanese attempts to fight into Sichuan, such as in the Battle of West Hunan, ended in failure. All in all Japan was not any closer in defeating China after this operation, and the constant defeats the Japanese suffered in the Pacific meant that Japan never got the time and resources needed to achieve final victory over China.
The Mountain Road, by Theodore White, Time Magazine correspondent in China at the time, deals with a demolition group of American soldiers retreating before this Japanese offensive, charged with blowing up anything that might be of use to Japan.
Operation Ichi-go created a great sense of social confusion in the areas of China that it affected. Chinese Communist guerrillas were able to exploit this confusion to gain influence and control of greater areas of the countryside in the aftermath of Ichi-go.
Read more about this topic: Operation Ichi-Go
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“The aftermath of joy is not usually more joy.”
—Mason Cooley (b. 1927)