Voices
The age of opera seria corresponded with the rise to prominence of the castrati, often prodigiously gifted male singers who had undergone castration before puberty in order to retain a high, powerful soprano or alto voice backed by decades of rigorous musical training. They were cast in heroic male roles, alongside another new breed of operatic creature, the prima donna. The rise of these star singers with formidable technical skills spurred composers to write increasingly complex vocal music, and many operas of the time were written as vehicles for specific singers. Of these the most famous is perhaps Farinelli, whose debut in 1722 was guided by Nicola Porpora. Though Farinelli did not sing for Handel, his main rival, Senesino, did.
Read more about this topic: Opera Seria
Famous quotes containing the word voices:
“My first childish doubt as to whether God could really be a good Protestant was suggested by my observation of the deplorable fact that the best voices available for combination with my mother’s in the works of the great composers had been unaccountably vouchsafed to Roman Catholics.”
—George Bernard Shaw (1856–1950)
“Music, when soft voices die,
Vibrates in the memory;
Odours, when sweet violets sicken,
Live within the sense they quicken.”
—Percy Bysshe Shelley (1792–1822)
“Amidst the downward tendency and proneness of things, when every voice is raised for a new road or another statute or a subscription of stock; for an improvement in dress, or in dentistry; for a new house or a larger business; for a political party, or the division of an estate;Mwill you not tolerate one or two solitary voices in the land, speaking for thoughts and principles not marketable or perishable?”
—Ralph Waldo Emerson (1803–1882)