Voices
The age of opera seria corresponded with the rise to prominence of the castrati, often prodigiously gifted male singers who had undergone castration before puberty in order to retain a high, powerful soprano or alto voice backed by decades of rigorous musical training. They were cast in heroic male roles, alongside another new breed of operatic creature, the prima donna. The rise of these star singers with formidable technical skills spurred composers to write increasingly complex vocal music, and many operas of the time were written as vehicles for specific singers. Of these the most famous is perhaps Farinelli, whose debut in 1722 was guided by Nicola Porpora. Though Farinelli did not sing for Handel, his main rival, Senesino, did.
Read more about this topic: Opera Seria
Famous quotes containing the word voices:
“And in counterpoint, from other windows,
the effort to be merry—ay, maracas!
Msibilant, intricate—the voices wailing pleasure,
arriving perhaps at joy, late, after sets
have been switched off, and silences
are dark windows?”
—Denise Levertov (b. 1923)
“Children’s voices in the orchard
Between the blossom- and the fruit-time:”
—T.S. (Thomas Stearns)
“Joan: I hear voices telling me what to do. They come from God. Robert: They come from your imagination. Joan: Of course. That is how the messages of God come to us.”
—George Bernard Shaw (1856–1950)