Opera Buffa - Relation To and Differences From Opera Seria

Relation To and Differences From Opera Seria

While opera seria deals with gods and ancient heroes and only occasionally contained comic scenes, opera buffa involves the predominant use of comic scenes, characters, and plot lines in a contemporary setting. The traditional model for opera seria had three acts, dealt with serious subjects in mythical settings as stated above and used high voices (both sopranos and castrati) for principal characters, often even for monarchs. In contrast, the model that generally held for opera buffa was having two acts (as, for example, The Barber of Seville), dealing with comic scenes and situations as earlier stated and using the lower male voices to the exclusion of the castrati. This led to the creation of the characteristic "basso buffo", a specialist in patter who was the center of most of the comic action. (A well-known basso buffo role is Leporello in Mozart's Don Giovanni).

Read more about this topic:  Opera Buffa

Famous quotes containing the words relation to, relation, differences and/or opera:

    Hesitation increases in relation to risk in equal proportion to age.
    Ernest Hemingway (1899–1961)

    There is a certain standard of grace and beauty which consists in a certain relation between our nature, such as it is, weak or strong, and the thing which pleases us. Whatever is formed according to this standard pleases us, be it house, song, discourse, verse, prose, woman, birds, rivers, trees, room, dress, and so on. Whatever is not made according to this standard displeases those who have good taste.
    Blaise Pascal (1623–1662)

    The differences between revolution in art and revolution in politics are enormous.... Revolution in art lies not in the will to destroy but in the revelation of what has already been destroyed. Art kills only the dead.
    Harold Rosenberg (1906–1978)

    I wish the opera was every night. It is, of all entertainments, the sweetest and most delightful. Some of the songs seemed to melt my very soul.
    Frances Burney (1752–1840)