Opening Credits - Common Opening Credits Order

Common Opening Credits Order

While there are numerous variations most opening credits use some variation of the basic order noted within:

  • (NAME OF THE STUDIO)
Name of the studio that is distributing the film and may or may not have produced it (Walt Disney Pictures, Columbia, Lions Gate, Universal, Marvel Studios, Dimension, Miramax etc.).
  • (NAME OF THE PRODUCTION COMPANY)
Name of the production company that actually made the film or name of the investment groups or companies that financed a substantial part of the film (usually credited as "in association with" or "A (studio name) production.").
  • (PRODUCER NAME) PRODUCTION or/and (director only) A FILM BY (DIRECTOR NAME)
Director's first credit, often "a film by XY or "a XY film".
  • STARRING
Principal actors, (Sometimes the stars' and director's credits will be reversed, depending on the star's deal with the studio; sometimes, as in the Rodgers and Hammerstein films, or as in all three film versions of Show Boat, or, as in many of Disney's films, the title of the film will be shown before the names of its actors; sometimes, as in many of Cannon's films, the name(s) of the principal actor(s) will be shown before the name(s) of the producer(s), i.e. "The Cannon Group presents X in a Golan-Globus production of a Y film").
  • (FILM'S TITLE)
Name of the film.
  • FEATURING
Featured actors.
  • CASTING or CASTING BY
Casting director.
  • MUSIC or MUSIC COMPOSED BY or ORIGINAL SCORE BY
Composer of music.
  • PRODUCTION DESIGN or PRODUCTION DESIGNER
Production designer.

As a variation some of the below may be noted:

  • SET DESIGN
  • COSTUMES or COSTUMES BY or GOWNS (older movies)
  • HAIRDRESSER
  • MAKE-UP ARTIST
  • SOUND RECORDING (older movies)
  • VISUAL EFFECTS DIRECTOR or VISUAL EFFECTS BY
  • EDITOR or EDITED BY
Editor.
  • DIRECTOR OF PHOTOGRAPHY
Director of photography.
  • PRODUCER or PRODUCED BY, EXECUTIVE PRODUCER
Producers, co-producers, executive producers, 'also produced by' (credited for various reasons according to contracts and personal scrutiny of the principal producer). Often, though, the name of the producer will be the next-to-last opening credit, just before the director's name is shown.
  • BASED ON THE BOOK (PLAY, GRAPHIC NOVEL etc.) BY or FROM A PLAY/BOOK BY (older movies)
If based on a book or other literary work.
  • BASED ON THE CHARACTERS BY or BASED ON THE CHARACTERS CREATED BY
If based on characters from a book or other media.
  • STORY or STORY BY
Person who wrote the story on which the script is based, gets "story by" credit, and the first screenplay credit, unless the script made substantial changes to the story.
  • WRITER(S) or WRITTEN BY
Screenplay writers. The Writers Guild of America allows only three writing credits on a feature film, although teams of two are credited as one, separated on the credits by an ampersand ("X & Y"). If each works independently on the script (the most common system), they are separated by an "and". If more than two persons worked on the screenplay, the credits may read something like "screenplay by X & Y and Z and W" X and Y worked as a team, but Z and W worked separately.
  • DIRECTOR or DIRECTED BY
Director. The Directors Guild of America permits a film to list only one director, even when it is known that two or more worked on it. Except in very rare cases (a death in mid-production) there is only one directing credit.

Read more about this topic:  Opening Credits

Famous quotes containing the words common, opening and/or order:

    The genius of the United States is not best or most in its executives or legislatures, nor in its ambassadors or authors or colleges, or churches, or parlors, nor even in its newspapers or inventors, but always most in the common people.
    Walt Whitman (1819–1892)

    Texas is a state of mind. Texas is an obsession. Above all, Texas is a nation in every sense of the word. And there’s an opening convey of generalities. A Texan outside of Texas is a foreigner.
    John Steinbeck (1902–1968)

    When we understand that man is the only animal who must create meaning, who must open a wedge into neutral nature, we already understand the essence of love. Love is the problem of an animal who must find life, create a dialogue with nature in order to experience his own being.
    Ernest Becker (1924–1974)