Criticism
The OSI protocol suite that was specified as part of the project was considered by many, such as computer scientist Andrew S. Tanenbaum, to be too complicated and inefficient, and to a large extent unimplementable. Taking the "forklift upgrade" approach to networking, it specified eliminating all existing protocols and replacing them with new ones at all layers of the stack. This made implementation difficult, and was resisted by many vendors and users with significant investments in other network technologies. In addition, the protocols included so many optional features that many vendors' implementations were not interoperable.
Although the OSI model is often still referenced, the Internet's TCP/IP protocol suite is used in lieu of the OSI protocols. TCP/IP's pragmatic approach to computer networking and two independent implementations of simplified protocols made it a practical standard. Some protocols and specifications in the OSI stack remain in use in legacy systems.
Read more about this topic: Open Systems Interconnection
Famous quotes containing the word criticism:
“I hold with the old-fashioned criticism that Browning is not really a poet, that he has all the gifts but the one needful and the pearls without the string; rather one should say raw nuggets and rough diamonds.”
—Gerard Manley Hopkins (1844–1889)
“The critic lives at second hand. He writes about. The poem, the novel, or the play must be given to him; criticism exists by the grace of other men’s genius. By virtue of style, criticism can itself become literature. But usually this occurs only when the writer is acting as critic of his own work or as outrider to his own poetics, when the criticism of Coleridge is work in progress or that of T.S. Eliot propaganda.”
—George Steiner (b. 1929)
“The visual is sorely undervalued in modern scholarship. Art history has attained only a fraction of the conceptual sophistication of literary criticism.... Drunk with self-love, criticism has hugely overestimated the centrality of language to western culture. It has failed to see the electrifying sign language of images.”
—Camille Paglia (b. 1947)