Features
- Open-ended, dynamic, URL-style symbolic naming scheme
- Symbolic and high-resolution numeric argument data
- Pattern matching language to specify multiple recipients of a single message
- High resolution time tags
- "Bundles" of messages whose effects must occur simultaneously
There are dozens of implementations of OSC, including real-time sound and media processing environments, web interactivity tools, software synthesizers, a large variety of programming languages, and hardware devices. OSC has achieved wide use in fields including new computer-based interfaces for musical expression, robotics, video performance interfaces, wide-area and local-area networked distributed music systems, inter-process communication, and even from within a single application.
The TUIO community standard for tangible interfaces such as multitouch is built on top of OSC. Similarly the GDIF system for representing gestures integrates OSC.
OSC is used extensively in experimental musical controllers and has been built into many commercial products including, the Jazz Mutant Lemur, the Monome, Native Instruments Reaktor and Cycling 74 Max/MSP.
The Open Sound World (OSW) music programming language is designed around OSC messaging.
OSC is also used as the heart of the DSSI plugin API, an evolution of the LADSPA API, in order to make the eventual GUI interact with the core of the plugin via messaging the plugin host. LADSPA and DSSI are APIs dedicated to audio effects and synths.
In 2007, a standardized namespace within OSC called SYN, for communication between controllers, synthesizers and hosts, was proposed, (See External links.)
Read more about this topic: Open Sound Control
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