Official Synopsis
One Six Right looks at the unsung hero of aviation—the local airport—through the life, history and struggle of an airport icon: Southern California's Van Nuys Airport. Through aerial sequences and stories told by passionate pilots, air traffic controllers, historians and flight enthusiasts, including well-known faces such as Sydney Pollack, Lorenzo Lamas, Paul Moyer, Hal Fishman, Desiree Horton and many others. The film uncovers the history of the airport where Amelia Earhart broke a world speed record over its runways, and where Marilyn Monroe was discovered while working in its hangars; scenes from Casablanca were filmed on the grounds.
A historical perspective of primitive airplanes from the 1920s to the state-of-the-art business jets of today frames appreciation for the significance of all general aviation airports as a critical component of the communities they serve. Located in the heart of the San Fernando Valley, VNY is today the world's busiest general aviation airport and contributes over $1 billion each year to the southern California economy.
One Six Right explores common misconceptions about general aviation airports, which are often criticized for noise pollution and viewed as exclusive playgrounds for the rich. The film creates an awareness of the threat to these community airports through staggering statistics of airports that no longer exist, and the rapid rate at which they are continuing to close: one per week in the U.S. These smaller and often forgotten airports are the foundation of the aviation industry, contributing to global commerce and the breeding ground of the pilots of tomorrow.
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Famous quotes containing the word official:
“We were that generation called “silent,” but we were silent neither, as some thought, because we shared the period’s official optimism nor, as others thought, because we feared its official repression. We were silent because the exhilaration of social action seemed to many of us just one more way of escaping the personal, of masking for a while that dread of the meaningless which was man’s fate.”
—Joan Didion (b. 1935)