Omar Sharif - Acting Career

Acting Career

In 1953, Sharif began his acting career with a role in Sira` Fi al-Wadi. He quickly rose to stardom, appearing in over 20 Egyptian productions including Ayyamna el helwa with singer Abdel Halim Hafez, La anam in 1958, Sayedat el kasr in 1959 and the Anna Karenina adaptation Nahr el hub in 1961. He also starred with his wife, Egyptian actress Faten Hamama, in several movies as romantic leads.

Sharif's first English language film was in the role of Sharif Ali in David Lean's Lawrence of Arabia in 1962. This performance earned him a Best Supporting Actor Oscar nomination and a Golden Globe Award for Best Supporting Actor - Motion Picture. Following this breakthrough role, Sharif played a variety of characters, including a Spanish priest in Behold a Pale Horse (1964) and the Mongolian conqueror in Ghengis Khan (1965). In the same year, Sharif reunited with Lean to play the title role in Doctor Zhivago, an adaptation of Boris Pasternak’s novel. Over the next few years, Sharif starred as a German military officer in The Night of the Generals, as Crown Prince Rudolf of Austria in Mayerling and as Che Guevara in Che!. Sharif was also acclaimed for his portrayal of Nicky Arnstein, husband to Fanny Brice in Funny Girl, though some thought he was miscast as a New York Jewish gambler. His decision to work with co-star Barbra Streisand angered Egypt's government at the time due to Streisand's support for the state of Israel. Streisand herself responded with "You think Cairo was upset? You should've seen the letter I got from my Aunt Rose!" Sharif reprised the role in the film’s sequel, Funny Lady in 1975.

In 2003, he received acclaim for his role in the French-language film adaptation of the novel Monsieur Ibrahim et les fleurs du Coran, as a Muslim Turkish merchant who becomes a father figure for a Jewish boy.

Read more about this topic:  Omar Sharif

Famous quotes containing the words acting and/or career:

    More than in any other performing arts the lack of respect for acting seems to spring from the fact that every layman considers himself a valid critic.
    Uta Hagen (b. 1919)

    Work-family conflicts—the trade-offs of your money or your life, your job or your child—would not be forced upon women with such sanguine disregard if men experienced the same career stalls caused by the-buck-stops-here responsibility for children.
    Letty Cottin Pogrebin (20th century)