Omaha Race Riot of 1919 - Legacy

Legacy

In the fall of 1919, Dr. George E. Haynes, an educator employed as Director of Negro Economics at the U.S. Department of Labor, produced a report on that year's racial violence designed to serve as the basis for an investigation by the U.S. Senate Committee on the Judiciary. It cataloged 26 separate riots on the part of whites attacking blacks in widely scattered communities.

Together with other riots in 1919, the Omaha riot prompted the United States Senate Committee on Judiciary in October 1919 to call for an investigation of urban, industrial and racial problems. The committee members recognized lynchings as a justified cause of bitterness in the black community, and enumerated the riots of 1919 and lynchings as among the factors for its investigation. They called for leaders of the white and black communities to work toward reconciliation. In September 1918, President Woodrow Wilson had made a speech against lynching and mob violence. Although a few years later Congress tried to pass a law making lynching a Federal offense, action was blocked by Southern Democrats.

In 1998, playwright Max Sparber had his play about the riot produced by the Blue Barn Theatre in the rotunda of the Douglas County Courthouse. The play, titled Minstrel Show; Or, The Lynching of William Brown, caused a minor controversy. State Senator Ernie Chambers condemned the play for using the device of fictional African-American blackface performers as the story's narrators. He called for a black boycott of the play. Nonetheless, the play performed to sold-out houses and later enjoyed productions in other cities.

In 2007 the New Jersey Repertory Company presented Sparber's Minstrel Show or the Lynching of William Brown in Long Branch. The cast included Kelcey Watson from Omaha and Spencer Scott Barros from New York City. Both actors had performed in previous productions of the play. It was directed by Rob Urbinati.

In 2009, California engineer Chris Hebert learned about the Omaha riot and the lynching of Will Brown after viewing a TV documentary on Henry Fonda, which mentioned the actor's having been profoundly affected by the riot as a young Omaha native. Describing himself as having "tears in my eyes" after reading more on the riot and Brown's death, Hebert further discovered that Brown still lay in the unmarked grave he was buried in at Potter's Field. After consultation with staff at Omaha's Forest Lawn Memorial Park, who located the grave after a lengthy search on June 11, Hebert donated money for the placement of a permanent memorial for Brown, giving his name, date and cause of death and the motto 'Lest we forget.' In an open letter to the people of Omaha, Hebert described his feelings behind his effort:

It is a shame that it took these deaths and others to raise public consciousness and effect the changes that we enjoy today. When I discovered that William Brown was buried in a pauper's grave, I did not want William Brown to be forgotten. I wanted him to have a headstone to let people know that it was because of people like him that we enjoy our freedoms today. The lesson learned from his death should be taught to all. That is, we cannot have the protections guaranteed by the Constitution without law. There is no place for vigilantism in our society.