History
Olu Dara first became known as a jazz musician, playing alongside avant-garde musicians such as David Murray, Henry Threadgill, Charles Brackeen, and Art Blakey.
His first album under his own name, 1998's In the World: From Natchez to New York, revealed another aspect of his musical personality: the leader and singer of a band immersed in African-American tradition, playing an eclectic mix of blues, jazz, and storytelling, with tinges of funk, African popular music and reggae. His second album Neighborhoods, with guest appearances by Dr John and Cassandra Wilson, followed in a similar vein.
Rapper Nas (Nasir Jones) is Dara's son. He encouraged his father to record the music he was playing with his band, and guested on "Jungle Jay" from In the World. Dara played the cornet on the track "Life's A Bitch" from Nas's debut album Illmatic in 1994 and on the song "Dance" from God's Son, a posthumous tribute to Anne Jones his former wife and Nas's mother . In 2004, his vocals and trumpet were featured on Nas's single "Bridging the Gap", and the title track from his album Street's Disciple. The song "Poppa Was A Player" off The Lost Tapes was inspired by Nas' childhood times around Olu Dara.
He was given the name "Olu Dara," which literally translated means "God is good," by a Yoruba priest when he returned to America. Dara has traveled throughout Africa and Europe.
Dara is also an accomplished playwright and actor, staging Blues Rooms to strong acclaim in New York City and Fairfax, Virginia during the 1990s.
Read more about this topic: Olu Dara
Famous quotes containing the word history:
“In the history of the United States, there is no continuity at all. You can cut through it anywhere and nothing on this side of the cut has anything to do with anything on the other side.”
—Henry Brooks Adams (18381918)
“They are a sort of post-house,where the Fates
Change horses, making history change its tune,
Then spur away oer empires and oer states,
Leaving at last not much besides chronology,
Excepting the post-obits of theology.”
—George Gordon Noel Byron (17881824)
“No one is ahead of his time, it is only that the particular variety of creating his time is the one that his contemporaries who are also creating their own time refuse to accept.... For a very long time everybody refuses and then almost without a pause almost everybody accepts. In the history of the refused in the arts and literature the rapidity of the change is always startling.”
—Gertrude Stein (18741946)