Olivia Serres - Origins and Early Career

Origins and Early Career

Olive was born Olivia Wilmot, the daughter of Robert Wilmot, a house painter, in Warwick. At the age of ten she was sent to board with her uncle, James Wilmot, rector of Barton-on-the-Heath. In 1789 she rejoined her father in London. She had a talent for painting and studied art with John Thomas Serres, (1759–1825), marine painter to George III, and she married Serres in 1791. They had two daughters. Olive exhibited her paintings at the Royal Academy of Arts and the British Institution, but was financially reckless; both she and her husband were imprisoned for debt. The Serres came to a parting of the ways, with acrimony on both sides: from Serres because Olive had had several affairs when he was away, and from Olive because she was given an allowance of only £200 per annum. George Fields, an artist friend, moved in with Olive and she gave birth to his son prior to her divorce in 1804. She then devoted herself to painting and literature, producing a novel, some poems and a memoir of her uncle, the Rev. Dr Wilmot, in which she endeavoured to prove that he was the author of the Letters of Junius.

Read more about this topic:  Olivia Serres

Famous quotes containing the words origins and, origins, early and/or career:

    Lucretius
    Sings his great theory of natural origins and of wise conduct; Plato
    smiling carves dreams, bright cells
    Of incorruptible wax to hive the Greek honey.
    Robinson Jeffers (1887–1962)

    The origins of clothing are not practical. They are mystical and erotic. The primitive man in the wolf-pelt was not keeping dry; he was saying: “Look what I killed. Aren’t I the best?”
    Katharine Hamnett (b. 1948)

    It was common practice for me to take my children with me whenever I went shopping, out for a walk in a white neighborhood, or just felt like going about in a white world. The reason was simple enough: if a black man is alone or with other black men, he is a threat to whites. But if he is with children, then he is harmless, adorable.
    —Gerald Early (20th century)

    A black boxer’s career is the perfect metaphor for the career of a black male. Every day is like being in the gym, sparring with impersonal opponents as one faces the rudeness and hostility that a black male must confront in the United States, where he is the object of both fear and fascination.
    Ishmael Reed (b. 1938)