Oliver (paladin) - Oliver in Other Works

Oliver in Other Works

Aside from the Song of Roland, the most pivotal chanson in which Olivier appears is Girart de Vienne (c.1180) by Bertrand de Bar-sur-Aube. Olivier's uncle Girart is fighting against his suzerain Charlemagne; after seven years of constant warfare, the two sides agree to a duel between two champions which will decide the outcome. From Vienne, Olivier is chosen, and from France, Roland. The two duel but cannot overcome each other. Each recognizing the other's prowess and nobility, they swear friendship to each other, and help bring about peace between their uncles.

In Roland a Saragosse, Olivier appears as Roland's friend and also something of a caretaker, assigned by Charlemagne to watch out for the younger and somewhat impetuous Roland. In the story, Roland is invited by Brammimonde, the queen of the Moors, to visit her at Saragossa. He and Olivier ride to the city without Roland telling Olivier the nature of his errand. As the two look out over the city, Roland asks Olivier to promise him a favor. Olivier, not suspecting any foul play, readily agrees, rather like an older brother to a younger. Then Roland asks Olivier to not accompany him into Saragosse so that Roland can claim all the glory and all the Queen's favor for himself. He leaves an outraged Olivier behind and succeeds in finding the queen and receiving a magnificent cloak from her. However, as he attempts to escape Saragossa Roland is surrounded by Saracens. He calls to Olivier for help, but the latter does not budge from his hill. Even when Roland is unhorsed and seems in grave danger of capture does Olivier, after a bit more hesitation, ride down to the battle. He kills many Saracens and then leads a horse to Roland, then leaves the battle again. Then Olivier and his knights angrily leave Charlemagne's camp and capture the minor Saracen city of Gorreya. Roland rides out after them, intending to apologize to Olivier. When he arrives at Gorreya, Olivier disguises himself as a Saracen and goes outside the city to do battle with Roland. Roland knocks Olivier off his horse, but at a signal from Olivier all of the rest of his knights, also disguised as Saracens, exit the city and surround Roland. Just as before, outside Saragossa, Roland is trapped and outnumbered, and this time, realizing that Olivier is not there to save him, Roland surrenders. Only then does Olivier remove his disguise and the two are reconciled.

Olivier also appears in a series of chansons concerning the Moorish giant Fierabras, presented as Olivier's rival and near-equal. The story goes: the Saracen king Balan and his 15-foot-tall (4.6 m) son Fierabras return to Spain after sacking the church of Saint Peter's in Rome and taking the relics of the passion. Charlemagne invades Spain to recuperate the relics and sends his knight Olivier de Vienne, Roland's companion, to battle Fierabras. Once defeated, the giant decides to convert to Christianity and joins Charlemagne's army, but Olivier and several other knights are captured. Floripas, Fierabras' sister, falls in love with one of Charlemagne's knights, Gui de Bourgogne. After a series of adventures, Charlemagne kills king Balan, divides Spain between Fierabras and Gui de Bourgogne (who marries Floripas), and returns to Saint Denis with the holy relics.

In the chanson Galiens li Restorés, Oliver has, with a princess of Byzantium named Jacqueline, a son named Galien. In the story, Galien leaves Constantinople to search for Olivier, and arrives at Roncevaux in time to speak to his dying father. He then returns to Constantinople, where his evil uncles have murdered their father, the Emperor, Galien's grandfather. He defeats them and becomes emperor of Byzantium, at the same time that the trial of Ganelon is taking place in France.

He also appears in the Italian romantic epics Morgante by Luigi Pulci, Orlando innamorato by Matteo Maria Boiardo and Orlando furioso by Ludovico Ariosto. In Boiardo and Ariosto, Oliver has two sons: Aquilante and Grifone (their mother is given as Gismonda in Ariosto, xv, 73.)