Reception
Despite its success at the box office, reviews for Oliver & Company are generally mixed to negative. As of 2010, Rotten Tomatoes reported that 44% of critics gave the film positive reviews based on 34 reviews with an average rating of 5.4/10. Its consenus states that "Oliver & Company is a decidedly lesser effort in the Disney canon, with lackluster songs, stiff animation, and a thoroughly predictable plot."
On the television program, Siskel & Ebert, Gene Siskel gave the film a Thumbs Down. Siskel stated "When you measure this film to the company's legacy of classics, it doesn't match up" as he complained "the story is too fragmented". Roger Ebert gave the film a "marginal Thumbs Up" as he described the film as "harmless, inoffensive."
The staff of Halliwell's Film Guide called Oliver & Company "episodic" and "short on charm". "Only now and then," they added, "it provides glimpses of stylish animation."
The Ren and Stimpy Show creator John Kricfalusi suggested that the film was derivative of Ralph Bakshi's works, and jokingly suggested its use as a form of punishment.
Read more about this topic: Oliver & Company
Famous quotes containing the word reception:
“Aesthetic emotion puts man in a state favorable to the reception of erotic emotion.... Art is the accomplice of love. Take love away and there is no longer art.”
—Rémy De Gourmont (18581915)
“Hes leaving Germany by special request of the Nazi government. First he sends a dispatch about Danzig and how 10,000 German tourists are pouring into the city every day with butterfly nets in their hands and submachine guns in their knapsacks. They warn him right then. What does he do next? Goes to a reception at von Ribbentropfs and keeps yelling for gefilte fish!”
—Billy Wilder (b. 1906)
“To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.”
—Lewis H. Lapham (b. 1935)