Selected Filmography
| Year | Title | Role | Notes |
|---|---|---|---|
| 1924 | Neck and Neck | Extant (Museum of Modern Art, nitrate print) | |
| 1924 | Wide Open | Extant (private collector) | |
| 1924 | Air Pockets | ||
| 1924 | Why Men Work | ||
| 1924 | Should Landlords Live? | ||
| 1924 | Too Many Mamas | ||
| 1924 | The Royal Razz | Extant (private collection) | |
| 1924 | Just a Good Guy | Extant (UCLA Film & TV, Hungarian National Film archive) | |
| 1925 | Should Husbands be Watched? | The New Maid | Extant (Lobster films, Paris) |
| 1925 | The Dressmaker from Paris | Lost film | |
| 1925 | Bad Boy | Undetermined Role | Uncredited |
| 1925 | Tell It to a Policeman | ||
| 1925 | Good Morning, Nurse | Lost film | |
| 1925 | The Happy Warrior | Ima | Lost film |
| 1925 | The Overland Limited | Ruth Dent | Extant (Library of Congress) |
| 1926 | The Yankee Señor | Manuelita | Alternative title: The Conquering Blood Lost film |
| 1926 | My Own Pal | Alice Deering | Lost film |
| 1926 | Yellow Fingers | Saina | Extant (Narodni Film Archive, Prague) |
| 1926 | 3 Bad Men | Lee Carlton | Extant (UCLA Film & TV) |
| 1926 | Fig Leaves | Eve Smith | Extant (Museum of Modern Art, Centre National de la Cinematographie (CNC) Paris, Cinematheque Royale-Brussles) |
| 1926 | The Country Beyond | Valencia | Lost film |
| 1927 | The Monkey Talks | Olivette | Extant (George Eastman House) |
| 1927 | Secret Studio | Rosemary Merton | Lost film |
| 1927 | The Joy Girl | Jewel Courage | Extant (Museum/Modern Art) |
| 1927 | Pajamas | Angela Wade | Extant (private collection, nitrate damage) |
| 1927 | Come to My House | Joan Century | Lost film |
| 1928 | The Albany Night Boat | Georgie | Lost film |
| 1928 | Virgin Lips | Norma | Lost film |
| 1928 | Gang War | Flowers | Alternative title: All Square Lost film |
| 1928 | Stool Pigeon | Goldie | Alternative title: The Decoy Extant |
| 1928 | Sinners in Love | Ann Hardy | Extant (Centre National de la Cinematographie (CNC), Paris) |
| 1929 | Love in the Desert | Zarah | Extant (CNC - Paris, Cineteca del Friuli) |
| 1929 | The Eternal Woman | Anita | Extant (British Film Institute) |
| 1929 | Half Marriage | Judy Paige | Extant (UCLA Film & TV, private collectors) |
| 1929 | Dance Hall | Gracie Nolan | Extant (UCLA Film & TV, private collectors) |
| 1929 | Wedding Rings | Eve Quinn | Alternative title: The Dark Swan Incomplete (UCLA Film & TV) |
| 1930 | Hello Sister | Vee Newell | Extant (private collectors) |
| 1930 | The Social Lion | Gloria Staunton | Extant (private collectors) |
| 1932 | The Divorce Racket | Marie Douglas | |
| 1933 | Hotel Variety | Alternative title: The Passing Show Lost film |
|
| 1933 | Leave It to Me | Peavey | Alternative title: Help |
| 1933 | The Mild West | Baby Doll | Short film |
| 1934 | The Inventors | Uncredited | |
| 1934 | Chloe, Love Is Calling You | Chloe (Betty Ann Gordon) |
Read more about this topic: Olive Borden
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