Style
Older found Michael experimenting with new musical styles and expanding his artistic horizons. Particularly notable was the jazz flavour of the albums sound. The album marked a departure to the synthesised production of his previous projects, delivering a more organic sound with the inclusion of brass and strings. Michael was particularly inspired by the music of Antonio Carlos Jobim, who died in 1994, and to whom the album was dedicated. Another big influence was the album's producer, Johnny Douglas, who has mixed several George Michael songs as B-sides. They first met when Douglas produced Lisa Moorish's version of "I'm Your Man" in 1995, to which Michael added backing vocals. They both began to work together soon after, and they co-wrote "Spinning the Wheel" together and also co-wrote and produced "Fastlove". Douglas also played keyboards on those tracks.
Overall, the style of the album was melancholy, dark and sad. George Michael complemented this departure making a dramatic change of his clothes, hair style and overall appearance. The long hair, beard and jeans that represented him to the common knowledge during the late eighties, were replaced with a buzz cut and mostly leather clothes. Michael commented, on the The Oprah Winfrey Show about that new appearance:
"The way my image changed in Europe was that I looked very different, I had very short hair—I had really a kind of gay look in a way. I think I was trying to tell people I was okay with it, I just really didn't want to share it with journalists. The album I made in the middle nineties called Older was a tribute to Anselmo, really; there was a dedication to him on the album and fairly obvious male references. To my fans and the people that were really listening, I felt like I was trying to come out with them."
Michael grew back a longer hair style during 1998, as was first shown on the video he recorded for "Outside", premiered near the end of that year.
Read more about this topic: Older (album)
Famous quotes containing the word style:
“The authoritarian child-rearing style so often found in working-class families stems in part from the fact that parents see around them so many young people whose lives are touched by the pain and delinquency that so often accompanies a life of poverty. Therefore, these parents live in fear for their children’s future—fear that they’ll lose control, that the children will wind up on the streets or, worse yet, in jail.”
—Lillian Breslow Rubin (20th century)
“One who has given up any hope of winning a fight or has clearly lost it wants his style in fighting to be admired all the more.”
—Friedrich Nietzsche (1844–1900)
“The habit some writers indulge in of perpetual quotation is one it behoves lovers of good literature to protest against, for it is an insidious habit which in the end must cloud the stream of thought, or at least check spontaneity. If it be true that le style c’est l’homme, what is likely to happen if l’homme is for ever eking out his own personality with that of some other individual?”
—Dame Ethel Smyth (1858–1944)