Movies
The character of Old Shatterhand was played in the German Karl May movies of the 1960s by American actor Lex Barker.
- Der Schatz im Silbersee (The Treasure of Silver Lake) (1962), dir.: Dr. Harald Reinl
- Winnetou 1. Teil (Apache Gold) (1963), dir.: Dr. Harald Reinl
- Old Shatterhand (Apaches Last Battle) (1964), dir.: Hugo Fregonese (imdb.com)
- Winnetou 2. Teil (Last of the Renegades) (1964), dir.: Dr. Harald Reinl
- Winnetou 3. Teil (The Desperado Trail) (1965), dir.: Dr. Harald Reinl
- Winnetou und das Halbblut Apanatschi (Half-Breed) (1966), dir.: Harald Philipp
- Winnetou und Shatterhand im Tal der Toten (Winnetou and Shatterhand in the Valley of Death) (1968), dir.: Dr. Harald Reinl
In contrast to the stories in the movies Unter Geiern (1964) and Der Ölprinz (1965) Old Surehand (starred by Stewart Granger) was the hero instead of Old Shatterhand. Old Surehand is another character created by Karl May. Karl May dedicated three volumes to him, who is like Old Shatterhand a renowned Western hero and best friends with the Native Americans. Unlike Old Shatterhand, Old Surehand is a half-blood Native himself, though raised in a white family.
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Famous quotes containing the word movies:
“Commercial jazz, soap opera, pulp fiction, comic strips, the movies set the images, mannerisms, standards, and aims of the urban masses. In one way or another, everyone is equal before these cultural machines; like technology itself, the mass media are nearly universal in their incidence and appeal. They are a kind of common denominator, a kind of scheme for pre-scheduled, mass emotions.”
—C. Wright Mills (1916–62)
“... in the movies Paris is designed as a backdrop for only three things—love, fashion shows, and revolution.”
—Jeanine Basinger (b. 1936)
“One of the grotesqueries of present-day American life is the amount of reasoning that goes into displaying the wisdom secreted in bad movies while proving that modern art is meaningless.... They have put into practise the notion that a bad art work cleverly interpreted according to some obscure Method is more rewarding than a masterpiece wrapped in silence.”
—Harold Rosenberg (1906–1978)