Culture
Egypt's Old Kingdom (Dynasties 3–6, ca. 2649–2150 BC) was one of the most dynamic periods in the development of Egyptian art. During this period, artists learned to express their culture's worldview, creating for the first time images and forms that endured for generations. Architects and masons mastered the techniques necessary to build monumental structures in stone.
Sculptors created the earliest portraits of individuals and the first lifesize statues in wood, copper, and stone. They perfected the art of carving intricate relief decoration and, through keen observation of the natural world, produced detailed images of animals, plants, and even landscapes, recording the essential elements of their world for eternity in scenes painted and carved on the walls of temples and tombs.
These images and structures had two principal functions: to ensure an ordered existence and to defeat death by preserving life into the next world. To these ends, over a period of time, Egyptian artists adopted a limited repertoire of standard types and established a formal artistic canon that would define Egyptian art for more than 3,000 years, while remaining flexible enough to allow for subtle variation and innovation. Although much of their artistic effort was centered on preserving life after death, Egyptians also surrounded themselves with objects to enhance their lives in this world, producing elegant jewelry, finely carved and inlaid furniture, and cosmetic vessels and implements made from a wide range of materials.
Read more about this topic: Old Kingdom Of Egypt
Famous quotes containing the word culture:
“As the twentieth century ends, commerce and culture are coming closer together. The distinction between life and art has been eroded by fifty years of enhanced communications, ever-improving reproduction technologies and increasing wealth.”
—Stephen Bayley (b. 1951)
“The problem of culture is seldom grasped correctly. The goal of a culture is not the greatest possible happiness of a people, nor is it the unhindered development of all their talents; instead, culture shows itself in the correct proportion of these developments. Its aim points beyond earthly happiness: the production of great works is the aim of culture.”
—Friedrich Nietzsche (18441900)
“To assault the total culture totally is to be free to use all the fruits of mankinds wisdom and experience without the rotten structure in which these glories are encased and encrusted.”
—Judith Malina (b. 1926)