Instrumentation
Old-time music is played using a wide variety of stringed instruments. The instrumentation of an old-time group is often determined solely by what instruments are available, as well as by tradition. The most common instruments are acoustic string instruments. Historically, the fiddle (an instrument of European origin originally played only by people European descent, both free and indentured) was nearly always the leading melodic instrument, and in many instances (if no other instruments were available) dances were accompanied only by a single fiddler, who often also acted as dance caller.
By the early 19th century, the banjo (an instrument of West African origin originally played only by people of African descent, both enslaved and free) had become an essential partner to the fiddle, particularly in the southern United States. The banjo, originally a fretless instrument and frequently made from a gourd, played the same melody as the fiddle (though in a lower register), while simultaneously providing a rhythmic accompaniment incorporating a high drone provided by the instrument's short "drone string." The banjo used in old-time music is typically a 5-string model with an open back (i.e., without the resonator found on most bluegrass banjos).
Today old-time banjo players most commonly utilize the clawhammer style, but there were originally several other styles, most of which are still in use, loosely grouped by region. The major styles were clawhammer (which also went by a number of regional names), two-finger index lead (also called "North Carolina picking"), two-finger thumb lead (Kentucky and Eastern Tennessee), and a three-finger "fiddle style" that seems to have been influenced in part by late-19th century urban classical style. Generally, a young player would learn whatever style a parent or older sibling favored. This style of having a fiddle play the lead melody and a banjo play a rhythmic accompaniment is the most basic form of Appalachian old-time music, and is the instrumentation most Appalachian old-time musicians consider to be "classic."
Because playing with more fingers meant being able to put in more notes, three-finger styles intrigued many players. Individualistic three-finger styles were developed independently by such important figures as Uncle Dave Macon, Dock Boggs, and Snuffy Jenkins. Those early three-finger styles, especially the technique developed by Jenkins, led in the 1940s to the three-finger Scruggs style created by Earl Scruggs and which helped advance the split between old-time and the solo-centric style that would become known as bluegrass. Jenkins developed a three-finger "roll" that, while obviously part of the old-time tradition, inspired Scruggs to develop his smoother, faster, more complex rolls that are now standard fare in bluegrass music.
During the 19th and early 20th centuries, other stringed instruments began to be added to the fiddle-banjo duo; these included the guitar, mandolin, and double bass (or washtub bass), which provided chordal and bass line accompaniment (or occasionally melody also). This, along with a Dobro (resonator guitar), is also considered to be 'standard' bluegrass instrumentation, but old-time music tends to focus on sparser instrumentation and arrangements as compared to bluegrass. Such an assemblage, of whatever instrumentation, became known simply as a "string band." Occasionally the cello, piano, hammered dulcimer, Appalachian dulcimer, tenor banjo, tenor guitar, mouth bow, or other instruments such as the jug, harmonica, jaw harp, concertina, accordion, washboard, spoons, or bones.
The fiddle is sometimes played by two people at the same time, with one player using the bow and fingers, while another player stands to the side and taps out a rhythm on the fiddle strings using small sticks called fiddlesticks (also spelled "fiddle sticks"). This technique (also sometimes called "beating the straws") is utilized in performance most notably by the duo of Al and Emily Cantrell.
Each regional old-time tradition accompanies different dance styles. Some of these include clogging and flatfoot dancing (Appalachia), contra dancing (New England), square dancing (Southern states) and step dancing (Nova Scotia, particularly Cape Breton Island), though there is some overlap between regions.
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