Development
The ONF emerged in the early 1980s when young radicals such as Nick Griffin, Derek Holland, Patrick Harrington and David Kerr became attracted to Third Position ideas and, eschewing the route of electoral politics favoured by the National Front up to that point, hoped to develop a cadre of devoted nationalist revolutionaries. Emphasising a strong anti-capitalist as well as anti-communist line, the ONF began to emerge as the most powerful group within the NF after the series of splits in late 1979 and early 1980 though they did not come to prominence within the NF until 1984 when Martin Webster was expelled from the Party.
The Political Soldier faction initially had the support of chairman Andrew Brons but before long differences between the two factions began to show. This came to a head in 1986 when the party split in two, with around 2,000 of the NF's 5,000 membership following Griffin into the ONF and the rest departing for the Flag Group. The ONF maintained the monthly newspaper the National Front News and took control also of Nationalism Today during this period.
With control assured the ONF took on responsibility for instructing its members ideologically and gained the backing of Rosine de Bounevialle, a veteran of the League of Empire Loyalists and the publisher of the anti-Semitic journal Candour, who allowed these training seminars to be held on her Hampshire estate. Subsequently these were moved to specially prepared buildings on land owned by Nick Griffin's father Edgar.
Read more about this topic: Official National Front
Famous quotes containing the word development:
“I could not undertake to form a nucleus of an institution for the development of infant minds, where none already existed. It would be too cruel.”
—Henry David Thoreau (1817–1862)
“Theories of child development and guidelines for parents are not cast in stone. They are constantly changing and adapting to new information and new pressures. There is no “right” way, just as there are no magic incantations that will always painlessly resolve a child’s problems.”
—Lawrence Kutner (20th century)
“A defective voice will always preclude an artist from achieving the complete development of his art, however intelligent he may be.... The voice is an instrument which the artist must learn to use with suppleness and sureness, as if it were a limb.”
—Sarah Bernhardt (1845–1923)