Plot
Two migrant field workers in California during the Great Depression—George Milton (Burgess Meredith), an intelligent and quick-witted man, and Lennie Small (Lon Chaney, Jr.), an ironically-named man of large stature and immense strength but limited mental abilities—come to a ranch near Soledad southeast of Salinas, California to "work up a stake." They hope to one day attain their shared dream of settling down on their own piece of land. Lennie's part of the dream, which he never tires of hearing George describe, is merely to tend to (and touch) soft rabbits on the farm. George protects Lennie at the beginning by telling him that if Lennie gets into trouble George won't let him "tend them rabbits." They are fleeing from their previous employment in Weed where they were run out of town after Lennie's love of stroking soft things resulted in an accusation of attempted rape when he touched a young woman's dress.
At the ranch, the dream appears to move closer to reality. Candy (Roman Bohnen), the aged, one-handed ranch-hand, even offers to pitch in with Lennie and George so they can buy the farm by the end of the month. The dream crashes when Lennie accidentally kills the young and attractive wife (Betty Field) of Curley (Bob Steele), the ranch owner's son, while trying to stroke her hair. A lynch mob led by Curley gathers. George, realizing he is doomed to a life of loneliness and despair like the rest of the migrant workers and wanting to spare Lennie a painful death at the hands of the furious and violent Curley, shoots Lennie in the back of the head before the mob can find him after George gives him one last retelling of their dream of owning their own land.
Read more about this topic: Of Mice And Men (1939 film)
Famous quotes containing the word plot:
“After I discovered the real life of mothers bore little resemblance to the plot outlined in most of the books and articles I’d read, I started relying on the expert advice of other mothers—especially those with sons a few years older than mine. This great body of knowledge is essentially an oral history, because anyone engaged in motherhood on a daily basis has no time to write an advice book about it.”
—Mary Kay Blakely (20th century)
“If you need a certain vitality you can only supply it yourself, or there comes a point, anyway, when no one’s actions but your own seem dramatically convincing and justifiable in the plot that the number of your days concocts.”
—John Ashbery (b. 1927)
“Persons attempting to find a motive in this narrative will be prosecuted; persons attempting to find a moral in it will be banished; persons attempting to find a plot in it will be shot.”
—Mark Twain [Samuel Langhorne Clemens] (1835–1910)