Technical Specifications
The Odeon is the largest single-screen cinema in the United Kingdom and one of the few with its circle and stalls remaining intact. The cinema is fully equipped to show films in 35mm, 70mm and digital on a large screen, as well as extensive stage facilities for the occasional live show.
The cinema still has an operating Compton organ, its console lit from within by coloured lighting, and a safety curtain detailed in 1930s art-deco motifs.
Two sets of tabs (curtains) are also installed and used for most performances. The cinema houses all major digital sound systems: SDDS, Dolby Digital and DTS. It had the UK's first wide-screen installed in 1953, and more recently, was the first to have a digital projector installed in 1999.
There are 1683 seats – reduced from nearly 2000 to make way for greater leg-room – with a large circle bar and even 'Royal Retiring Room' for visiting monarchs. Seating is divided between the Royal Circle, Rear Circle and Stalls.
In March 2011, all the cinema's screens converted to Digital Projection equipment with 3D capability. Up until 2009 the cinema and film distributors did not have faith in the reliability of digital presentations, so the cinema would run a 35mm print along side. If the digital show failed the projectionist would switch to film. If that projector then failed, the performance would be abandoned. One 35mm /70mm projector has been retained, but is very rarely used. A silver screen is used for 3D presentations, placed in front of the white screen used for 2D presentations. The silver screen is a fraction smaller and screen tabs are not used during 3D performances. Most of the trained projectionists at the Odeon retired, or were made redundant in 2011. Presentations are now mostly automated.
Read more about this topic: Odeon Leicester Square
Famous quotes containing the word technical:
“I rather think the cinema will die. Look at the energy being exerted to revive ityesterday it was color, today three dimensions. I dont give it forty years more. Witness the decline of conversation. Only the Irish have remained incomparable conversationalists, maybe because technical progress has passed them by.”
—Orson Welles (19151984)