Ode On Indolence - Structure

Structure

"Ode on Indolence" relies on ten line stanzas with a rhyme scheme that begins with a Shakespearian quatrain (ABAB) and ends with a Miltonic sestet (CDECDE). This pattern is used in "Ode on Melancholy", "Ode to a Nightingale" and "Ode on a Grecian Urn", which further unifies the poems in their structure in addition to their themes.

The poem contains a complicated use of assonance (the repetition of vowel sounds), as evident in line 19, "O why did ye not melt, and leave my sense", where the pairs ye/leave and melt/sense share vowel sounds. A more disorganized use of assonance appears in line 31, "A third time pass'd they by, and, passing, turn'd", in which the pairs third/turn'd, time/by, and pass'd/passing share vowel sounds. The first line exemplifies the poem's consistent iambic pentameter scansion:

˘
/
˘
/
˘
/
˘
/
˘
/
One morn be- fore me were three fig- ures seen.

Keats occasionally inverts the accent of the first two syllables of each line or a set of syllables within the middle of a line. 2.3% of the internal syllables are inverted in the "Ode on Indolence", whereas only 0.4% of the internal syllables of his other poems contain such inversions.

Read more about this topic:  Ode On Indolence

Famous quotes containing the word structure:

    Each structure and institution here was so primitive that you could at once refer it to its source; but our buildings commonly suggest neither their origin nor their purpose.
    Henry David Thoreau (1817–1862)

    ... the structure of our public morality crashed to earth. Above its grave a tombstone read, “Be tolerant—even of evil.” Logically the next step would be to say to our commonwealth’s criminals, “I disagree that it’s all right to rob and murder, but naturally I respect your opinion.” Tolerance is only complacence when it makes no distinction between right and wrong.
    Sarah Patton Boyle, U.S. civil rights activist and author. The Desegregated Heart, part 2, ch. 2 (1962)

    Who says that fictions only and false hair
    Become a verse? Is there in truth no beauty?
    Is all good structure in a winding stair?
    May no lines pass, except they do their duty
    Not to a true, but painted chair?
    George Herbert (1593–1633)