Composition
"Influences, primarily Joy Division, Invisible Girls. A great example of how you can write a song and not know what you're writing about. A song called 'Tomorrow' is a detailed account of my mother's funeral. But I had no idea when I was writing it."
—BonoThe record placed an emphasis on religion and spirituality, particularly in the songs "Gloria" (featuring a Latin chorus of "Gloria, in te domine"), "With a Shout (Jerusalem)", and "Tomorrow". About the album, Bono declared in 2005: "Can you imagine your second album—the difficult second album—it's about God?".
The songs mainly refine U2's formula of riff-rockers with songs such as "Gloria" and "Rejoice", but the band also expanded its musical palette in a few ways. In particular, guitarist The Edge incorporates piano in songs such as "I Fall Down", "Stranger In a Strange Land", "Scarlet", and "October". "Tomorrow", a lament to Bono's mother, who died when he was young, features Uilleann pipes played by Vinnie Kildruff later of In Tua Nua. "I Threw a Brick Through a Window" was one of the band's first songs to highlight drummer Larry Mullen, Jr., while "Gloria" highlights bassist Adam Clayton as it features three styles of playing in one song (using a pick for the most part, playing with fingers during the slide guitar by The Edge, then a "slap & pop" solo towards the end).
"Is That All?" borrows the riff from "Cry", an older song the band has used as an introduction to "The Electric Co." live.
Read more about this topic: October (album)
Famous quotes containing the word composition:
“Boswell, when he speaks of his Life of Johnson, calls it my magnum opus, but it may more properly be called his opera, for it is truly a composition founded on a true story, in which there is a hero with a number of subordinate characters, and an alternate succession of recitative and airs of various tone and effect, all however in delightful animation.”
—James Boswell (17401795)
“Since body and soul are radically different from one another and belong to different worlds, the destruction of the body cannot mean the destruction of the soul, any more than a musical composition can be destroyed when the instrument is destroyed.”
—Oscar Cullman. Immortality of the Soul or Resurrection of the Dead? The Witness of the New Testament, ch. 1, Epworth Press (1958)
“Give a scientist a problem and he will probably provide a solution; historians and sociologists, by contrast, can offer only opinions. Ask a dozen chemists the composition of an organic compound such as methane, and within a short time all twelve will have come up with the same solution of CH4. Ask, however, a dozen economists or sociologists to provide policies to reduce unemployment or the level of crime and twelve widely differing opinions are likely to be offered.”
—Derek Gjertsen, British scientist, author. Science and Philosophy: Past and Present, ch. 3, Penguin (1989)