Style
Ceylan's films have often been described as high art. He deals with the estrangement of the individual, natural existentialism, monotonous real human lives and fundamental details of life. He uses static shoots and long takes, usually in natural ambience, as well as menacing silences along his "stream-of-consciousness aesthetics". He is known for filming his protagonist from behind which, in his view leaves the audiences to speculate on the brooding emotions of characters whose faces are obscured. Having started his career as a photographer, Ceylan makes films on an extremely low budget. His casts generally consist of amateur actors, most of which are his family members, including his mother and father. The characters in Ceylan's movies appear to be people from everyday life.
Read more about this topic: Nuri Bilge Ceylan
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[Le style c’est l’homme même.]”
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