Influences
Nueva trova was one aspect of the Pan-Latin American "new song movement" which tended to employ lyrics that were self consciously literary, formal and schooled. Another influence was that of filín (feeling), a romantic song movement of the late 1940s to the early 1960s. Pablo Milanés, for one, was a filín singer.
At approximately the same time as the rise of nueva trova, similar musical genres across the world were increasing in popularity as part of a roots revival; these involved the popularization of traditional music welded with socio-political lyrics. Nueva trova was most closely influenced by South American (especially Chilean) nueva canción, Spanish Nova Cançó, Bolivian canto nuevo, Portuguese canto livre and nova canção, and Brazilian Tropicalismo. At about the same time, Puerto Ricans like Roy Brown, Andrés Jiménez, Antonio Cabán Vale and the group Haciendo Punto en Otro Son also became popular.
Though inspired by American protest artists like Bob Dylan and Joan Baez, nueva trova criticized the abuses of the United States government and its allies. Other major influences include The Beatles, Chilean revivalist Violeta Parra, Uruguayan singer-songwriter Daniel Viglietti and the Catalan protest singer Joan Manuel Serrat.
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“Leadership does not always wear the harness of compromise. Once and again one of those great influences which we call a Cause arises in the midst of a nation. Men of strenuous minds and high ideals come forward.... The attacks they sustain are more cruel than the collision of arms.... Friends desert and despise them.... They stand alone and oftentimes are made bitter by their isolation.... They are doing nothing less than defy public opinion, and shall they convert it by blows. Yes.”
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