Nueva Ecija - Festivals

Festivals

  • Taong Putik Festival, Aliaga

At the crack of dawn, scores of mud-covered, barely dressed devotees make their appearance, asking for alms and candles form the wide awake town folks. This practice mimics a biblical myth about St. John the Baptist, who was said to have done the same thing in his lifetime. A special mass culminates the occasion, reinforcing its spiritual nature to the people of Aliaga.

  • Holy Week Rituals of Puncan, Carranglan

The unique Holy Week rites of (Puncan)Carranglan one of the oldest towns in Nueva Ecija, are woven in folklore. Aside from the differing dialect, Pangasinense, widely used in Puncan, its distinct Lenten rituals include a hide-and-seek routine between the “Flagellante” and “Hudyo,” a children’s parade, and a choreographed version of Christian penitential rites in which participants with charcoal-smeared faces beat bamboos.

  • Kariton Festival, Licab

Kariton,which means rig-cart drawn by carabao, is celebrated during the annual celebration of the founding anniversary of Licab town on March 28. Kariton plays a significant part in the history of Licab. Don Dalmacio Esguerra, the town’s founding father, used kariton when he left San Nicolas, Ilocos Norte until he finally settled and found this town in Licab. In fitting recognition of the significance of this very important farm equipment, the LGU of Licab adopted “Kariton Festival” as the town’s official festival. The event features a parade of colorfully dressed kariton floats, Search of Outstanding Licabenos, Agri-aqua trade fair and beauty pageant.

  • Baybayanting Festival, Lupao

Baybayanting is a one-of-a-kind cultural tradition of Lupao, Nueva Ecija. It is a unique cultural presentation of the people of Lupao every 25 July to honor their patron – Señor Santiago. or Saint James. It’s a cultural presentation that features the war between Muslims and Christians. This peculiar cultural tradition is presented every year by selected and well-trained members of Iglesia Filipina Independiente, a Christian sect founded by a Filipino priest. Baybayanting is a choreograph fighting which is usually performed by 9 pairs of fighting Filipino warriors and Spanish conquistadores. Performers use real bladed weapons unlike the ‘Zarzuelas’ that uses wooden swords.

  • Araquio Festival, Penaranda

Araquio Festival is a unique and one of its kinds in the Philippines. This festival is Nueva Ecija’s very own theatrical-cum-religious presentation similar to “zarzuelas” during the Spanish regime in the country. The Araquio Festival is traditionally held in the month of May in the town of Peñaranda. The festival dramatized the spread of Christianity in the country and the war between Christians and Muslims. Festival performers, 16 performers in each Araquio group, sing, act and dance while a brass band plays. The choice of songs and choreography varies, but the script has remained the same since the tradition started.

  • Tanduyong Festival, San Jose City

San Jose City prides itself as the "Onion Capital of the Philippines" and is a leading producer of onion, garlic, rice and vegetables. Every year, on the fourth Sunday of April, the people of San Jose dance through the main street in a colorful, enchanting celebration of the blessing of the harvest. On festival day, the streets are filled with contingents of dancers outfitted in striking, multi-hued native costumes. Exotic rhythms of improvised musical instruments fill the air as the dancers gyrate and sway to the beat of life. Special activities included are: beauty contest, tourism and trade fair, awarding ceremony and cultural shows.

  • Pagibang Damara, San Jose City

Fiestas are time to celebrate. A time to take some break. It is a time to give thanks for bounties received for the whole year. A time to get together. A time to play and re-energized. They offer a respite for people who work the entire year . And restore inspiration for another year ahead.

Hundreds of years ago, here in Central Luzon, landlords in the haciendas made the farmers build the “damara”, just before planting time of palay. A “damara” is a makeshift shelter made from kawayan (bamboo) and nipa, built at the center of ricefields as a protection from the sun’s heat or from rain. Over the years, it has been tradition that after all the harvests were safely brought home, the “damaras” are demolished (“ginigiba”). People then start celebrating together for the bountiful harvest.

In 2008, with rice as its primary produce, San Jose City conducted its First Rice Festival, adopting the century – old festive tradition. However, unlike in older days, wherein people celebrate separately in their barangays, San Jose City now celebrates as one big family. The after-harvest celebration has become a multi-sectoral effort, collectively prepared, funded out of contributions (from the public and private sector), and participated in by all sections of the city.


  • Tsinelas Festival, Gapan

Slippers or Tsinelas made in the city of Gapan, Nueva Ecija find their way all over the country, lending credence to the city's claim to be the Tsinelas Capital of the Philippines. Gapan commemorates their major industry with the Tsinelas Festival on the anniversary of their cityhood. Beautifully crafted slippers await festivals-goers in a slippers bazaar along the highway. The major attraction of this festival, however, are the pairs of gigantic slippers displayed in a parade of Floats Sama-samang pagsasaya, mga barangay na nagkakaisa.

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Famous quotes containing the word festivals:

    This is certainly not the place for a discourse about what festivals are for. Discussions on this theme were plentiful during that phase of preparation and on the whole were fruitless. My experience is that discussion is fruitless. What sets forth and demonstrates is the sight of events in action, is living through these events and understanding them.
    Doris Lessing (b. 1919)

    Why wont they let a year die without bringing in a new one on the instant, cant they use birth control on time? I want an interregnum. The stupid years patter on with unrelenting feet, never stopping—rising to little monotonous peaks in our imaginations at festivals like New Year’s and Easter and Christmas—But, goodness, why need they do it?
    John Dos Passos (1896–1970)