Novelty Piano

Novelty Piano is a genre of piano music that was popular during the 1920s.

A successor to ragtime and an outgrowth of the piano roll music of the 1910s, novelty piano can be considered a pianistic cousin of jazz, which appeared around the same time. "Nola," a 1915 composition by New York pianist Felix Arndt, is generally considered the first novelty piano hit. Many early novelty composers were piano roll artists from the Chicago area, where two of the largest piano roll companies, QRS and Imperial, had their headquarters. It is distinct from stride piano, which was developed in New York at about the same time.

The earliest composers of novelty piano were piano roll artists looking to sell piano rolls. These pieces started out as super rags with characteristic breaks, consecutive fourths, and advanced harmonies. The pioneer of this style was Charley Straight, whose compositions were issued on piano roll years before Confrey's novelty hits. Early Charley Straight novelties include S'more, Playmor, Nifty Nonsense, Rufenreddy, and Wild And Wooly.

Novelty piano came to the attention of the public in 1921 with the appearance of Zez Confrey's "Kitten on the Keys". The popularity of this piece quickly led to other Confrey works including "Dizzy Fingers" and "Greenwich Witch", and inspired other artists to issue their own novelty pieces. The style remained popular through the end of the decade, at which time big bands were on the rise, player pianos were in decline, and the popularity of jazz continued unabated. Novelty piano slowly succumbed to, or was absorbed into, the new orchestral styles as the piano moved off center stage and took a support role.

Although novelty piano has structural and stylistic similarities to the earlier ragtime form, there are also distinct differences. Ragtime was generally sold in the form of sheet music, so it was important to keep it simple enough to be played by the competent amateur. By 1920, though, two new technologies had appeared which allowed the general public to hear music as performed by skilled musicians: the "hand-played" piano roll and the phonograph record. Novelty piano was developed as a vehicle to showcase the talents of these professionals, and was thus more often sold in the form of recordings and piano rolls than as sheet music. It was a new turbo-charged piano form, shorn of hackneyed Victorian-era stylings, infused with chromatic piano roll flourishes, and influenced by the "modernistic" sounds of the art-deco twenties.

Prominent artists in the novelty piano genre include Zez Confrey, Charley Straight, Roy Bargy, Fred Elizalde, Rube Bloom, Clement Doucet, Max Kortlander, and Billy Mayerl.

Famous quotes containing the words novelty and/or piano:

    A barnacle goose
    Far up in the stretches of night; night splits and the dawn breaks loose;
    I, through the terrible novelty of light, stalk on, stalk on;
    Those great sea-horses bare their teeth and laugh at the dawn.
    William Butler Yeats (1865–1939)

    When you take a light perspective, it’s easier to step back and relax when your child doesn’t walk until fifteen months, . . . is not interested in playing ball, wants to be a cheerleader, doesn’t want to be a cheerleader, has clothes strewn in the bedroom, has difficulty making friends, hates piano lessons, is awkward and shy, reads books while you are driving through the Grand Canyon, gets caught shoplifting, flunks Spanish, has orange and purple hair, or is lesbian or gay.
    Charlotte Davis Kasl (20th century)