National Romantic Period
By the late 19th century, in a flood of nationalistic romanticism, the great four emerged, Henrik Ibsen, Bjørnstjerne Bjørnson, Alexander Kielland, and Jonas Lie. A unity of purpose pervades the whole period, creation of a national culture based on the almost forgotten and certainly neglected past, as well as celebration of the Bonde Kultur or Norwegian farm culture. The realism of Kielland (e.g., Skipper Worse) gave way to the romantic and nationalistic spirit which swept Europe rekindled and the Norwegian interest in their glorious Viking past (e.g., Ibsen's The Vikings at Helgeland), the struggles of the Middle Ages (e.g., Ibsen's Lady Inger of Østeraad), peasant stories (e.g., Bjørnson's A Happy Boy) and the wonders of myths and folks tales of the mountains (e.g., Ibsen's Peer Gynt) and the sea (e.g., Lie's The Visionary).
Read more about this topic: Norwegian Literature
Famous quotes containing the words national, romantic and/or period:
“Let us put an end to self-inflicted wounds. Let us remember that our national unity is a most priceless asset. Let us deny our adversaries the satisfaction of using Vietnam to pit Americans against Americans.”
—Gerald R. Ford (b. 1913)
“The most passionate, consistent, extreme and implacable enemy of the Enlightenment and ... all forms of rationalism ... was Johann Georg Hamann. His influence, direct and indirect, upon the romantic revolt against universalism and scientific method ... was considerable and perhaps crucial.”
—Isaiah Berlin (b. 1909)
“Finally she grew quiet, and after that, coherent thought. With this, stalked through her a cold, bloody rage. Hours of this, a period of introspection, a space of retrospection, then a mixture of both. Out of this an awful calm.”
—Zora Neale Hurston (18911960)