National Romantic Period
By the late 19th century, in a flood of nationalistic romanticism, the great four emerged, Henrik Ibsen, Bjørnstjerne Bjørnson, Alexander Kielland, and Jonas Lie. A unity of purpose pervades the whole period, creation of a national culture based on the almost forgotten and certainly neglected past, as well as celebration of the Bonde Kultur or Norwegian farm culture. The realism of Kielland (e.g., Skipper Worse) gave way to the romantic and nationalistic spirit which swept Europe rekindled and the Norwegian interest in their glorious Viking past (e.g., Ibsen's The Vikings at Helgeland), the struggles of the Middle Ages (e.g., Ibsen's Lady Inger of Østeraad), peasant stories (e.g., Bjørnson's A Happy Boy) and the wonders of myths and folks tales of the mountains (e.g., Ibsen's Peer Gynt) and the sea (e.g., Lie's The Visionary).
Read more about this topic: Norwegian Literature
Famous quotes containing the words national, romantic and/or period:
“In my public statements I have earnestly urged that there rested upon government many responsibilities which affect the moral and spiritual welfare of our people. The participation of women in elections has produced a keener realization of the importance of these questions and has contributed to higher national ideals. Moreover, it is through them that our national ideals are ingrained in our children.”
—Herbert Hoover (18741964)
“As for the author, he is profoundly unaware of what the classical or romantic genre might consist of.... In literature, as in all things, there is only the good and the bad, the beautiful and the ugly, the true and the false.”
—Victor Hugo (18021885)
“To give an accurate and exhaustive account of that period would need a far less brilliant pen than mine.”
—Max Beerbohm (18721956)