Northumbrian Smallpipes - Early Development

Early Development

The earliest known description of such an instrument in Britain is in the Talbot manuscript from about 1695. The descriptions of bagpipes mentioned in this early source are reproduced in One of these instruments was a bellows-blown 'Bagpipe, Scotch', with three drones, whose keyless chanter had a one-octave range from G to g, with each note being sounded by uncovering a single hole, as in the modern instrument. This seems to have been a closed-ended chanter, for the lowest note is sounded by uncovering the lowest finger-hole - there was no bell-note, sounding with all holes covered; further, Talbot did not give the bore of the chanter, suggesting that it could not easily be measured. The three drones were in unison with the lowest note, G, of the chanter, the D a fourth below it, and G, an octave below. It has been argued that such instruments were derived from mouth-blown German three-drone bagpipes. These instruments seem to have been well-established in Northumberland by the early 18th century; many of the tunes in the William Dixon manuscript are suitable for such simple chanters, and a painting of Joseph Turnbull, Piper to the Duchess of Northumberland, in Alnwick Castle, shows him with such a set.